Gustave Flaubert

Gustave Flaubert

Summary

Portrait of Gustave Flaubert Gustave Flaubert Madame Bovary — Part III/Chapter X (1886)

The ecclesiastic passed the holy water sprinkler to his neighbour. This was Homais. He swung it gravely, then handed it to Charles, who sank to his knees in the earth and threw in handfuls of it, crying, "Adieu!" He sent her kisses; he dragged himself towards the grave, to engulf himself with her. They led him away, and he soon grew calmer, feeling perhaps, like the others, a vague satisfaction that it was all over.
Old Rouault on his way back began quietly smoking a pipe, which Homais in his innermost conscience thought not quite the thing.
Source: Wikisource

Portrait of Gustave Flaubert Gustave Flaubert Madame Bovary — Part III/Chapter X (1886)

The bell began tolling. All was ready; they had to start. And seated in a stall of the choir, side by side, they saw pass and repass in front of them continually the three chanting choristers.
The serpent-player was blowing with all his might. Monsieur Bournisien, in full vestments, was singing in a shrill voice. He bowed before the tabernacle, raising his hands, stretched out his arms. Lestiboudois went about the church with his whalebone stick. The bier stood near the lectern, between four rows of candles. Charles felt inclined to get up and put them out.
Source: Wikisource

Portrait of Gustave Flaubert Gustave Flaubert Madame Bovary — Part III/Chapter X (1886)

The priests, the choristers, and the two choirboys recited the De profundis [1] , and their voices echoed over the fields, rising and falling with their undulations. Sometimes they disappeared in the windings of the path; but the great silver cross rose always before the trees.
The women followed in black cloaks with turned-down hoods; each of them carried in her hands a large lighted candle, and Charles felt himself growing weaker at this continual repetition of prayers and torches, beneath this oppressive odour of wax and of cassocks.
Source: Wikisource

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