Gustave Flaubert

Gustave Flaubert

Summary

Portrait of Gustave Flaubert Gustave Flaubert,  Madame Bovary — Part I/Chapter II (1886)

“ Ah! that woman! That woman!"
And she detested her instinctively. At first she solaced herself by allusions that Charles did not understand, then by casual observations that he let pass for fear of a storm, finally by open apostrophes to which he knew not what to answer. "Why did he go back to the Bertaux now that Monsieur Rouault was cured and that these folks hadn't paid yet? Ah! it was because a young lady was there, some one who know how to talk, to embroider, to be witty.
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Source: Wikisource

Portrait of Gustave Flaubert Gustave Flaubert,  Madame Bovary — Part I/Chapter II (1886)

“ The horse slipped on the wet grass; Charles had to stoop to pass under the branches. The watchdogs in their kennels barked, dragging at their chains. As he entered the Bertaux, the horse took fright and stumbled.
It was a substantial-looking farm. In the stables, over the top of the open doors, one could see great cart-horses quietly feeding from new racks. Right along the outbuildings extended a large dunghill, from which manure liquid oozed, while amidst fowls and turkeys, five or six peacocks, a luxury in Chauchois farmyards, were foraging on the top of it.
”
Source: Wikisource

Portrait of Gustave Flaubert Gustave Flaubert,  Madame Bovary — Part I/Chapter II (1886)

“ Charles selected one, cut it into two pieces and planed it with a fragment of windowpane, while the servant tore up sheets to make bandages, and Mademoiselle Emma tried to sew some pads. As she was a long time before she found her work-case, her father grew impatient; she did not answer, but as she sewed she pricked her fingers, which she then put to her mouth to suck them. Charles was surprised at the whiteness of her nails. They were shiny, delicate at the tips, more polished than the ivory of Dieppe, and almond-shaped. ”
Source: Wikisource

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