Emma Bovary

Definition and stakes

Henry James Notes on Novelists, with Some Other Notes

It is in the background and the accessories that the real, the real of his theme, abides; and the romantic, the romantic of his theme, accordingly occupies the front. Emma Bovary’s poor adventures are a tragedy for the very reason that in a world unsuspecting, unassisting, unconsoling, she has herself to distil the rich and the rare. Ignorant, unguided, undiverted, ridden by the very nature and mixture of her consciousness, she makes of the business an inordinate failure, a failure which in its turn makes for Flaubert the most pointed, the most told of anecdotes.
Source: Gutenberg

Portrait of Gustave Flaubert Gustave Flaubert Madame Bovary — Part III/Chapter I (1886)

No doubt Emma did not herself know, quite absorbed as she was by the charm of the seduction, and the necessity of defending herself from it; and contemplating the young man with a moved look, she gently repulsed the timid caresses that his trembling hands attempted.
"Ah! forgive me!" he cried, drawing back.
Emma was seized with a vague fear at this shyness, more dangerous to her than the boldness of Rodolphe when he advanced to her open-armed. No man had ever seemed to her so beautiful.
Source: Wikisource

Portrait of Gustave Flaubert Gustave Flaubert Madame Bovary: A Tale of Provincial Life…

In fact, the villagers, who were hot, quarreled for these seats, whose straw smelled of incense, and they lent against the thick backs, stained with the wax of candles, with a certain veneration.
Madame Bovary again took Rodolphe's arm; he went on as if speaking to himself:
"Yes, I have missed so many things. Always alone! Ah! if I had some aim in life, if I had met some love, if I had found some one! Oh, how I would have spent all the energy of which I am capable, surmounted everything, overcome everything!"
"Yet it seems to me," said Emma, "that you are not to be pitied."
Source: Gutenberg

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