Gustave Flaubert

“ A pink line ran along the partition between her nostrils. Her head leaned towards her shoulder, and the pearly tips of her white teeth were seen between her lips.
"Is she making fun of me?" thought Rodolphe.
Emma's gesture, however, had only been meant for a warning; for Monsieur Lheureux was accompanying them, and spoke now and again as if to enter into the conversation.
"What a superb day! Everybody is out! The wind is east!"
And neither Madame Bovary nor Rodolphe answered him, while at the slightest movement made by them he drew near, saying, "I beg your pardon!" and raised his hat. ”

“ Then as she opened her eyes on smelling the bottle:
"I was sure of it," he remarked; "that would wake any dead person for you!"
"Speak to us," said Charles; "collect yourself; it is I—your Charles, who loves you. Do you know me? See! here is your little girl! Oh, kiss her!"
The child stretched out her arms to her mother to cling to her neck. But turning away her head, Emma said in a broken voice—
"No, no! no one!"
She fainted again. They carried her to her bed. She lay there stretched at full length, her lips apart, her eyelids closed, her hands open, motionless, and white as a waxen image. ”

“ Emma wept, and he tried to console her, adorning his protestations with puns.
"Oh," she went on, "I love you! I love you so that I could not live without you, do you see? There are times when I long to see you again, when I am torn by all the anger of love. I ask myself, where is he? Perhaps he is talking to other women. They smile upon him; he approaches. Oh no! no one else pleases you. There are some more beautiful, but I love you best. I know how to love best. I am your servant, your concubine! You are my king, my idol! You are good, you are beautiful, you are clever, you are strong!" ”

“ The walls of the gardens, with pieces of bottle on their coping, were as hot as the glass windows of a conservatory. Wallflowers had sprung up between the bricks, and with the tip of her open sunshade Madame Bovary, as she passed, made some of their faded flowers crumble into a yellow dust, or a spray of overhanging honeysuckle and clematis caught in its fringe and dangled for a moment over the silk.
They were talking of a troupe of Spanish dancers who were expected shortly at the Rouen theatre. ”

“ A shell-box adorned the chest of drawers, and on the secretary near the window a bouquet of orange blossoms tied with white satin ribbons stood in a bottle. It was a bride's bouquet; it was the other one's. She looked at it. Charles noticed it; he took it and carried it up to the attic, while Emma, seated in an armchair (they were putting her things down around her) thought of her bridal flowers packed up in a bandbox, and wondered, dreaming, what would be done with them if she were to die. ”

“ Everybody was in the fields. He went into the kitchen, but did not at once catch sight of Emma; the outside shutters were closed. Through the chinks of the wood the sun sent across the flooring long fine rays that were broken at the corners of the furniture and trembled along the ceiling. Some flies on the table were crawling up the glasses that had been used, and buzzing as they drowned themselves in the dregs of the cider. The daylight that came in by the chimney made velvet of the soot at the back of the fireplace, and touched with blue the cold cinders. ”

“ A meal together, a walk in the evening on the highroad, a gesture of her hands over her hair, the sight of her straw hat hanging from the window-fastener, and many another thing in which Charles had never dreamed of pleasure, now made up the endless round of his happiness. In bed, in the morning, by her side, on the pillow, he watched the sunlight sinking into the down on her fair cheek, half hidden by the lappets of her nightcap. ”

“ The tenderness of the old days came back to their hearts, full and silent as the flowing river, with the softness of the perfume of the syringas, and threw across their memories shadows more immense and more sombre than those of the still willows that lengthened out over the grass. Often some night-animal, hedgehog or weasel, setting out on the hunt, disturbed the lovers, or sometimes they heard a ripe peach falling all alone from the espalier.
"Ah! what a lovely night!" said Rodolphe.
"We shall have others," replied Emma; and, as if speaking to herself, "Yes, it will be good to travel. ”

“ Then he asked himself what would become of her—if she would be married, and to whom? Alas! old Rouault was rich, and she!—so beautiful! But Emma's face always rose before his eyes, and a monotone, like the humming of a top, sounded in his ears, "If you should marry, after all! if you should marry!" At night he could not sleep; his throat was parched; he was athirst. He got up to drink from the water-bottle and opened the window. The night was covered with stars, a warm wind blowing in the distance; the dogs were barking. He turned his head toward the Bertaux. ”

“ They ate hugely. Each one stuffed himself on his own account. Sweat stood on every brow, and a whitish steam, like the vapor of a stream on an autumn morning, floated above the table between the hanging lamps. Rodolphe, leaning against the calico of the tent, was thinking so earnestly of Emma that he heard nothing. Behind him on the grass the servants were piling up the dirty plates; his neighbors were talking; he did not answer them; they filled his glass, and there was silence in his thoughts in spite of the growing noise. ”

“ She no longer grumbled as formerly at taking a turn in the garden; what he proposed was always done, although she did not understand the wishes to which she submitted without a murmur; and when Léon saw him by his fireside after dinner, his two hands on his stomach, his two feet on the fender, his cheeks red with feeding, his eyes moist with happiness, the child crawling along the carpet, and this woman with the slender waist who came behind his armchair to kiss his forehead:
"What madness!" he said to himself. "And how to reach her!" ”

“ The furniture in its place seemed to have become more immobile, and to lose itself in the shadow as in an ocean of darkness. The fire was out, the clock went on ticking, and Emma vaguely marvelled at this calm of all things while within herself was such tumult. But little Berthe was there, between the window and the work-table, tottering on her knitted shoes, and trying to come to her mother to catch hold of the ends of her apron-strings. ”

“ The garden, longer than wide, ran between two mud walls with espaliered apricots, to a hawthorn hedge that separated it from the field. In the middle was a slate sundial on a brick pedestal; four flower-beds with eglantines surrounded symmetrically the more useful kitchen-garden bed. At the bottom, under the spruce bushes, was a curé in plaster reading his breviary.
Emma went upstairs. The first room was not furnished, but in the second, which was their bedroom, was a mahogany bedstead in an alcove with red drapery. ”

“ He may make it more universal or more characteristic than nature! But, inversely, if all art is concentrated upon the representation, what matters the subject? Is one animal or plant more interesting than another to the naturalist? Does a name matter? All demand the same attention. Art can make exception in its subjects no more than science.
If we ask in what consists the difference between science and art, on this basis, Flaubert, with Leconte de Lisle and with Taine, will tell us that it is in the beauty which communicates prestige to the work, or in the power of form. ”

“ She maintained one day, in opposition to her husband, that she could drink off a large glass of brandy, and, as Charles was stupid enough to dare her to, she swallowed the brandy to the last drop.
In spite of her vaporish airs (as the housewives of Yonville called them) , Emma, all the same, never seemed gay, and usually she had at the corners of her mouth that immobile contraction that puckers the faces of old maids, and those of men whose ambition has failed. She was pale all over, white as a sheet; the skin of her nose was drawn at the nostrils, her eyes looked at you vaguely. ”

“ A fine organ, imperturbable coolness, more temperament than intelligence, more power of emphasis than of real singing, made up the charm of this admirable, charlatan nature, in which there was something of the hairdresser and the toréador.
From the first scene he evoked enthusiasm. He pressed Lucia in his arms, he left her, he came back, he seemed desperate; he had outbursts of rage, then elegiac gurglings of infinite sweetness, and the notes escaped from his bare neck full of sobs and kisses. Emma leant forward to see him, clutching the velvet of the box with her nails. ”

“ We know that man was not made for art, but that art was made for man. We forget each time we speak of "art for art's sake" that there is need precisely to define the meaning of the expression and to recall that but for truth art could not have for its object the perfecting of political institutions, the uplifting of the masses, the correction of customs, the teachings of religion, and that although this may lead finally to the realization of beauty, it nevertheless remains the duty of man, and consequently, is human in its origin, human in its development, and human in its aim. ”

“ Emma, on entering, felt herself wrapped round by the warm air, a blending of the perfume of flowers and of the fine linen, of the fumes of the viands, and the odor of the truffles. The silver dish-covers reflected the lighted wax candles in the candelabra, the cut crystal covered with light steam reflected pale rays from one to the other; bouquets were placed in a row the whole length of the table; and in the large-bordered plates each napkin, arranged after the fashion of a bishop's miter, held between its two gaping folds a small oval-shaped roll. ”

“ The red claws of lobsters hung over the dishes; rich fruit in open baskets was piled up on moss; there were quails in their plumage; smoke was rising; and in silk stockings, knee-breeches, white cravat, and frilled shirt, the steward, grave as a judge, offered ready-carved dishes between the shoulders of the guests, and with a touch of the spoon gave the piece chosen. On the large stove of porcelain inlaid with copper baguettes the statue of a woman, draped to the chin, gazed motionless on the room full of life.
Madame Bovary noticed that many ladies had not put their gloves in their glasses. ”

“ He might have been handsome, witty, distinguished, attractive, such as, no doubt, her old companions of the convent had married. What were they doing now? In town, with the noise of the streets, the buzz of the theaters, and the lights of the ball-room, they were living lives where the heart expands, the senses bourgeon out. But she—her life was cold as a garret whose dormer-window looks on the north, and ennui, the silent spider, was weaving its web in the darkness in every corner of her heart. ”

“ The flat country stretched as far as eye could see, and the tufts of trees round the farms at long intervals seemed like dark violet stains on the vast gray surface, that on the horizon faded into the gloom of the sky, Charles from time to time opened his eyes, his mind grew weary, and sleep coming upon him, he soon fell into a doze wherein his recent sensations blending with memories, he became conscious of a double self, at once student and married man, lying in his bed as but now, and crossing the operation theater as of old. ”

“ In fact, if the subject had no importance of its own, and if there were no personal motives for choosing one subject rather than another, what reason would there be for writing Madame Bovary or Salammbô? One alone: and that to "make something out of nothing," to produce a work of art from things of no import. For though everyone has some ideas, and everyone has had experience in some kind of life, it is given to few to be able to express their experience or their ideas in terms of beauty. This, precisely, is the goal of art. ”

“ There is no need for explanations; they understand one another. They have seen each other in dreams!" He looked at her. "In fine, here it is, this treasure so sought after, here before you. It glitters, it flashes; yet one still doubts, one does not believe it; one remains dazzled, as if one went out from darkness into light!"
And as he ended Rodolphe suited the action to the word. He passed his hand over his face, like a man seized with giddiness. Then he let it fall on Emma's. ”

“ For six months, then, Emma, at fifteen years of age, made her hands dirty with books from old lending libraries. With Walter Scott, later on, she fell in love with historical events, dreamed of old chests, guardrooms and minstrels. She would have liked to live in some old manor-house, like those [46] long-waisted châtelaines who, in the shade of pointed arches, spent their days leaning on the stone, chin in hand, watching a cavalier with white plume galloping on his black horse from the distant fields. ”