G. Woolliscroft Rhead

“ The people who are "in the fashion" are the sheep. "Bell-wether takes the leap and they all jump over." In other words, there can be no really beautiful dress unless the spirit of individualism is fostered. Dress should "express" the wearer and provide an index as to character. Indeed, it does, as the spectacle of a woman or a man following blindly the dictates of fashion is sufficient evidence that he or she possesses no character at all. ”

“ Goldsmith, in a short essay "on the ladies' passion for levelling all distinction of dress," says: "Foreigners observe that there are no ladies in the world more beautiful or more ill-dressed than those of England. Our countrywomen have been compared to those pictures where the face is the work of a Raphael, but the draperies thrown out by some empty pretender, destitute of taste, and entirely unacquainted with design." ”

“ Bounteous Nature, however, always kind, who never withholds a good without affording ample compensation, has endowed man with that fertile brain and cunning hand whereby he may convert hide into leather, wool of sheep into cloth, web of worm into silk, flax and cotton into linen of various kinds, and so restore{20} that balance of endowment without which man would be at the mercy of every wind that blew. ”

“ Nay, do we not read in the Old Testament—in some Old Testaments, at any rate—that even Adam and Eve made themselves—ahem!—breeches? As for the pot-hat, its origin is lost in the maze of antiquity. It crops up in its various developments at all sorts of odd times and periods. ”

“ He, making a reverse blow, falls upon my embossed girdle—I had thrown off the hangers a little before; strikes off a skirt of a thick satin doublet I had, lined with four taffataes; cuts off two panes of embroidered pearls; rends through the drawings out of tissue; enters the lining, and skips the flesh; and not having leisure to put off my silver spurs, one of the rowels catched hold of the ruffle of my boot, it being Spanish leather, and subject to tear; overthrows me, and rends me two pairs of stockings, that I had put on being a raw morning—a peach-colour and another. ”

“ The sleeves are long and ample, the edges serrated in the form of leaves. The long flowing embroidered mantle is fastened by a gold fibula at the throat. Her flaxen hair falls in two long double plaits in front of her person, reaching almost to the ground; the plaits being first bound singly by a dark ribbon, and each pair bound together by a lighter ribbon. A thin gauze veil covers the head, which is surmounted by a crown of exquisite workmanship.
GREEK FIGURE.
From Hope's "Costume of the Ancients." ”

“ There is absolutely no reason why a hat of a particular density, or even of a particular shape, should be necessary to occasions of high ceremonial.{208} Moreover, in this connection it may be very pertinently asked, Is artistic invention so utterly dead that it cannot devise a head-gear which shall fit in with its surroundings on such occasions as call for more dignity and impressiveness in the matter of costume? ”

“ The chignon, in its many developments, is within the memory of most of us; the odious Piccadilly fringe still endures with those persons who are either slaves to habit or who find that the curling and frizzing of the hair of the forehead destroys its capacity for growth. Dundreary and mutton-chop whiskers are even now to be found in out-of-the-way country places. ”

“ But the most insistent of all the satirists was Philip Stubbes, who wrote his "Anatomy of Abuses" in the reign of Elizabeth. In lampooning the feminine habit of aping masculine dress, he says: "The women have doublets and jerkins as the men have, buttoned up to the breast, and made with wings, welts, and pinions on the shoulder-points, as man's apparel in all respects; and although this be a kind of attire proper only to a man, yet they blush not to wear it." ”

“ What, then, in view of this eternity of the trouser, can be done to bring it abreast of modern taste and thought? because we do move in matters of taste, although almost imperceptibly. Speaking as a designer, it seems only possible to develop the trouser in one of two different directions—that of the peg-top or the bell-bottom. Bell-bottoms may at once be ruled out of the running, since they have become so identified with the coster fraternity that no man of fashion would dream of adopting them. ”

“ The Greek ideal of the foot is the true one. The Greeks rightly regarded the foot as an undeveloped hand, and they endeavoured in their sculpture to impart that hand-like character to their feet. One has only to notice the flexible toes of new-born and young babies, in order to perceive the reasonableness of this position. The Greeks in their sculpture made a distinct division between the great toe and the rest of the toes, as between the thumb and the fingers of the hand—the three toes well forward in a bunch ”

“ How comes an honest craft to be thus maligned? Hatters were never mad—that is, not more so than the rest of us—until they adopted the pot of the chimney as a model. [21]
Nature has provided in the hair a natural covering for the head. Hats are not really a necessity. ”

“ The mantle does not appear to have particularly excited the wrath of the satirists. It is, indeed, so entirely reasonable a garment both for men and women, that it is difficult to see how it could possibly provide material for satire.
Broadly speaking, there are three conditions necessary to beautiful dress, namely, beauty of material, excellence of workmanship, and variety of fold. If ornament be introduced, it should be of a good character, and employed rather in accordance with those well understood laws of contrast than an indiscriminate covering of the whole field ”

“ The kirtle or petticoat is in reality a development of the tunic. It is the tunic which has become a closely fitting bodice, with long draperies, more or less formal, attached. The names of the different portions of dress have at different periods varied almost indefinitely. The first item of the habit of the Order of the Garter is successively described as tunic, coat, surcoat, and kirtle.
The kirtle, therefore, takes up the story of costume from the time when the loose tunic gave place to a more formal attire—broadly speaking, from the Norman Conquest. ”

“ In the dressing of the hair, as in costume generally, the lowest depth of the commonplace has been reached during the nineteenth century. It is, however, extremely dangerous to indulge in any kind of sweeping generalities with respect to our own epoch; we are either, from long habit and custom, prejudiced in favour of a particular régime, or we are afflicted with that contempt which is born of a too great familiarity. ”

“ The Empire gown is figured in the illustration of a walking dress, 1810. It lasted practically until the advent of the crinoline in the forties, when it finally disappeared. There has been recent talk of its revival, but dancing men are found to be opposed to it, if for no other reason than the difficulty of knowing where to place their arms; and dancing men are apparently a necessity.
The really fashionable people are those who are not in the fashion. ”

“ While rejecting the theory that the competition of the beard is precarious to the hair of the head, abstracting from the latter its due nourishment, and pointing out that the long beards and luxuriant heads of hair of our ancestors refute this theory that the more strenuous head-work which falls to the share of the male sex is{206} responsible for the loss of hair; that the unnatural custom of cutting men's hair, first adopted when nature was abandoned in favour of the fashions of civilisation, is to blame for it ”

“ Viewing Crinoline, indeed, as an incentive to bad conduct, we forbid our wives and daughters to wear it when out shopping, for fear that it may tempt them to commit some act of theft. A wide petticoat is so convenient a hiding-place for stowing away almost any amount of stolen goods, that we cannot be surprised at finding it so used, and for{174} the mere sake of keeping them from roguery, the fewer women have it at their fingers' ends the better. Some ladies have a monomania for thievery, and when they go on a day's shopping can hardly keep their hands off what does not belong to them. ”

“ The greatest richness of slashing always appears in the sleeve, a common form being to slash the sleeve in ribbons, which hang loose from the shoulder to the elbow. In the instances of several of the foot soldiers in Hans Burgkmair's "Triumphs of Maximilian," the outer sleeve is simply cut to ribbons, which stream loosely from the shoulder; and it seems, indeed, a little curious that at present, when all sorts of devices are employed for the purpose of producing variety, that some fashion of this sort has not been adopted for women. ”

“ Cloth and woollen boots and shoes, as were worn in the Middle Ages, have been recommended for modern wear as being more healthy, and as allowing the natural perspiration of the foot to exhale, their sponsors affirming that "cloth and wool are perfectly suitable and safe for wet weather, as the wetting of the wool does not chill the feet, the heat of which promptly evaporates the moisture from the covering, which soon dries." ”

“ Bernard upon the subject of finery, and ventured to upbraid her, received this crushing reply: "God's doom, that may not fail, is pleased only with conscience. Therefore I trow that as clean a soul may be under those clothes that are arrayed with gold as under thy slight fur-skins." ”

“ I think it high time, then, for every female to exert the little knowledge she may be possessed of in the scribbling line, when the wits, under the characters of Green Grocers, dare to insult us, and speak of our hoops, and other parts of our dress, as freely as they exercise their authority over the ostlers at a country inn. ”

“ Herodotus assures us that the skulls of the Egyptians were much harder than those of the Persians, owing to the national custom of shaving the heads of their children at a very early age. He adds, "In other countries the priests of the gods wear long hair; in Egypt they have it shaved. With other men it is customary in mourning for the nearest relations to have their heads shorn; the Egyptians, on occasions of death, let the hair grow both on the head and face, though till then they used to shave."
The ceremonies and customs relating to the beard are innumerable. ”

“ It was I who first dethroned those abominable monsters the Bucks, and established the reign of the Macaronies—who first improved upon the Poudre à la maréchale by throwing in a dash of the violet. This hat your ladyship sees is of my own cocking—those barbarians the hatters{262} have no more idea of 'de retrousser un chapeau' for a man of genuine taste, than they know how to wear it, and send it home with the smell of the dye, almost sufficient to make one faint. I always order my valet to give it a thorough perfume before it comes into my presence. ”

“ It will readily be understood that the natural foldings of drapery, possessing in themselves so much variety and interest, when thrown over a form so beautifully proportioned as is the human figure, gave the utmost grace of line and form, and this fact makes it all the more surprising that the natural foldings of drapery are not taken greater advantage of in modern dress. The peplum was often diapered with sprigs, spots, stars, or other patternings, and was occasionally richly bordered. ”

“ Sarcenet also is a light webbed silk, and by degrees supplanted cendal.
Satin was also used in the Middle Ages, and is mentioned by Chaucer in his "Man of Lawe's Tale," but was not brought into general use until later. The beauties of the Court of Charles II., as pictured by Sir Peter Lely, are usually clad in satin.
Velvet, that most sumptuous material, has always been held in high estimation on account of the richness of its texture and fold. It has always been used, since its introduction into the West, for robes of state and for the more sumptuous kind of dress. ”

“ In fact, it is difficult for us moderns, so surrounded as we are by commonness, cheapness, and vulgarity, to realise the extreme splendour of the Middle Ages, either as regards their dress or their surroundings. ”

“ Four years afterwards it was ordained that no man, let his condition be what it might, should be permitted to wear a gown or garment cut or slashed into pieces in the form of letters, rose leaves, and posies of various kinds, or any such-like devices, under the penalty of forfeiting the same, and the offending tailor was to be imprisoned during the King's pleasure.
In the third year of the reign of Edward IV. an Act was promulgated by which cloth of gold, cloth of silk of a purple colour, and fur of sables were prohibited to all knights under the estate of lords. ”

“ As a matter of fact, embroidery always forms a conspicuous element in Anglo-Saxon dress, the Anglo-Saxon women being famous for their skill with the needle. We learn from Eginhart that the four Princesses, daughters of Edward the Elder, and sisters to Æthelstan, were celebrated for their skill in spinning, weaving, and embroidering, and Editha, the wife of Edward the Confessor, was a perfect mistress of the needle. ”