Summary

Portrait of Mrs. Aria Mrs. Aria Costume: Fanciful, Historical and Theatrical

As a rule, it must be admitted that the finest fancy dress looks the best, and however charming may be the effects arrived at with muslin, cotton, crêpe, and calico, she who stands out in the vast crowd will be she who has the most magnificent clothes. The glories of brocade and satin and velvet will always hold supreme sway, allied to some distinctively grand head-dress elevated from the head on a frame and banded with jewels, with a long diaphanous veil flowing into a sumptuous length of train.
Source: Gutenberg

Portrait of Mrs. Aria Mrs. Aria Costume: Fanciful, Historical and Theatrical

Her crimson locks she piled high up in curls and puffs, surmounted by crowns of jewels, and her sleeves and hooped skirts were padded into diamond design traced with embroidery, and every point would hold a pendent jewel. She showed no desire to achieve grace or elegance below the waist; nothing more entirely unbecoming to the feminine figure can be imagined than the tight, hard, flat, narrow bodice terminating in a point at the front, cut off at the waist on the hips, above the monstrously distended petticoat.
Source: Gutenberg

Portrait of Mrs. Aria Mrs. Aria Costume: Fanciful, Historical and Theatrical

We are grateful to-day to recognise the artistic value of the red tie of the masculine tiller of the field, or of the coloured handkerchief over the head of the harvest-woman, but, in those other times, the plains and the fields, the woods and the forests, were the background for a people in brave array, on which blue, red, green, and white played conspicuous part. And not alone in colour must their garb have been pre-eminently attractive to the eye, but in the simplicity of its make, the liberal display of white linen about the neck and the head, and the further addition of coloured lacings.
Source: Gutenberg

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