The term "prima donna," originally referring to a leading female singer in opera, has been examined in literature as a symbol of both artistry and theatrical extravagance. Authors such as George Sand and Nathaniel Parker Willis portray the figure as a combination of charm and authority, highlighting her powerful stage presence. F.
Marion Crawford and Johann Wolfgang von Goethe focus on her emotional depth and public appeal, while S. Frances Harrison draws comparisons between the prima donna and the preacher, emphasizing their common status as central figures of admiration. The 2015 album Prima Donna by Rufus Wainwright, a recorded opera, further solidifies the term’s cultural significance, connecting literary and musical interpretations of this iconic role.