Scrici

Biographical details

Scrici,  Physiology of the Opera

“ In your admiration of the dogged perseverance of the old drummer, you take part in favour of the instruments, and when you hear that sudden and awful clash of the cymbals, which causes you to start till you dig your elbow into an elderly gentleman on one side, and tread on some corny toes on the other, you felicitate yourself upon the victory of parchment and brass over throats; but the next moment your pleasure is extinguished, for the tenor and soprano give their voices an extra lift, and away they go up like rockets, far aloft above the din of horns, cymbals and kettle drums. ”
Source: Gutenberg

Scrici,  Physiology of the Opera

“ The bride elect rushes up to him, and so they both step down to the foot-lights. The outlaw gentleman passes his right hand round the waist of the lady, and clasps in his left both of her's, elevating them to a line with the breast. They remain stationary for a moment, whilst the orchestra is playing the symphony, looking as fondly into each other's eyes as a pair of dear little turtle doves, and smiling as sweetly as every gentleman and lady have a right to smile under such pleasant circumstances. ”
Source: Gutenberg

Scrici,  Physiology of the Opera

“ Every now and then a frown, dark as Erebus, spreads over his brow, as some poor laggard is astray in the mazes of sound, and can't find his place, or turns two pages instead of one, and consequently loses the thread of his harmonious discourse. The music grows so powerful that the conversation of the most enthusiastic and vociferous fast man no longer meets the ear. The orchestra is going as if they were riding an instrumental steeple chase, and the director looks more and more involved in doubt, as to which of his followers is to be left most in the rear. ”
Source: Gutenberg

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