Summary

Amelia Gere Mason Woman in the Golden Ages — Woman in Greek Poetry (1901)

When the poets began to analyze, the glamour of this witching goddess was lost, and she became a sinning, soul-destroying woman, a human Circe that lured men to ruin. But the Greeks did not like to see their idols slandered or broken, so in later times they gave her a shadowy existence on the banks of the Nile, where we catch a last glimpse of her, sitting unruffled among the palms, in all the splendor of her radiant beauty, twining wreaths of lotus-flowers for her golden hair, and learning rare secrets of Eastern looms, while men fought and died across the sea for a phantom.
Source: Wikisource

Amelia Gere Mason Woman in the Golden Ages — Woman in Greek Poetry (1901)

And this it is which casts so lasting a glamour over the women who loom out of the twilight of that far-off time, in noble proportions that dwarf the selfish, arrogant men with whom they are mated. They rise to the dignity of goddesses in their divine pity and courage, while the great Achilles, the masculine ideal of the Greeks, weeps like a child, and sends a generation of men to sleep on the plains of Troy, because he cannot have what he wishes.
Source: Wikisource

Amelia Gere Mason Woman in the Golden Ages — Woman in Greek Poetry (1901)

Art was little more than a handicraft. If men worked in marble or in metal, women designed patterns for weaving and embroidery. Men had not begun to put their thoughts or speculations into enduring form, and women were not excluded from a large part of their lives. But so perfectly did many of them realize the world's ideal of feminine virtues that we ask no more. They stand upon pedestals, like the masterpieces of Greek sculpture, noble in their simplicity and lovely in the repose of their surpassing strength.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature