Gilbert Keith Chesterton

Gilbert Keith Chesterton

Summary

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton What's Wrong with the World — Chapter 3 part 4 (1910)

This is the man's occasional glimpse and pleasing parody of thrift. But many a good housekeeper plays the same game every day with ends of cheese and scraps of silk, not because she is mean, but on the contrary, because she is magnanimous; because she wishes her creative mercy to be over all her works, that not one sardine should be destroyed, or cast as rubbish to the void, when she has made the pile complete.
Source: Wikisource

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton What's Wrong with the World — Chapter 3 part 4 (1910)

Thrift is poetic because it is creative; waste is unpoetic because it is waste. It is prosaic to throw money away, because it is prosaic to throw anything away; it is negative; it is a confession of indifference, that is, it is a confession of failure. The most prosaic thing about the house is the dustbin, and the one great objection to the new fastidious and aesthetic homestead is simply that in such a moral menage the dustbin must be bigger than the house. If a man could undertake to make use of all things in his dustbin he would be a broader genius than Shakespeare.
Source: Wikisource

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton What's Wrong with the World — Chapter 3 part 4 (1910)

So in a smaller way it must be first made clear that this female economic ideal is a part of that female variety of outlook and all-round art of life which we have already attributed to the sex: thrift is not a small or timid or provincial thing; it is part of that great idea of the woman watching on all sides out of all the windows of the soul and being answerable for everything. For in the average human house there is one hole by which money comes in and a hundred by which it goes out; man has to do with the one hole, woman with the hundred.
Source: Wikisource

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