Mazo de la Roche

Mazo de la Roche

Delight (1926)

Summary

Portrait of Mazo de la Roche Mazo de la Roche,  Delight (1926)

“ Perkin's arms, about her, his blazing grey eyes. . . .
Suddenly Jimmy's eyes were looking into hers, pleading, blue as a little child's; and his mouth, tender, a little sulky, but a dear mouth, after all. Oh, she loved Jimmy; she would not give in to Perkin. Stronger than she? Ah, but not more knowing. Her fingers twined themselves in the breast of his shirt. Her muscles stiffened. Her legs gripped the planks. Another effort, and she had thrown him from her into the water. Down among the watercress—into the soft, cold bed of the stream.
”
Source: Wikisource

Portrait of Mazo de la Roche Mazo de la Roche,  Delight (1926)

“ Kirke's thin lips stretched in a grin; he bent closer to the pane.
But now a sound other than the scratching of Lovering's nib shot through his sensitive nerves. It was the sound of a sob. A woman's sob. The transom above his door was open and, turning his head sideways towards it like a shrewd, aquiline bird, he made out that the second sob came from the room across the passage. Silently he rose and went to the door, frowning down at Lovering as he stood with his hand on the knob. No, he would not tell Lovering. Let him go on with his stupid letter. He would only spoil things.
”
Source: Wikisource

Portrait of Mazo de la Roche Mazo de la Roche,  Delight (1926)

“ She lived from dawn to dark among the fruit, and, at night, slept dreamlessly beneath the eaves. There she was, strong, vital, rosy among these sallow, silent Heaslips, a creature of instincts, emotions, not much more developed intellectually than the soft-eyed Jersey in the byre, nor the wood pigeon that called among the cedars. Like the birds she felt a stir within her that urged her to fly before the winter, but she knew not where to fly, nor had she the money to take her further than Brancepeth. ”
Source: Wikisource

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