Summary

Portrait of Guy Boothby Guy Boothby The Mystery of the Clasped Hands…

Both Fensden and I recognised them at once.”
“One thing is certain: the man who committed this dreadful deed must have been jealous of you, and have heard of your kindness to the girl. Is there any one you suspect?”
“I have it,” said Fensden, suddenly, before Godfrey could answer. “The man in Naples, the lover who tried to assassinate you. He is the man, or I am much mistaken. We have the best of reasons for knowing that he was in love with her, and that he would not be likely to stop at murder. If he would have killed you, why should he not have killed her?
Source: Gutenberg

Portrait of Guy Boothby Guy Boothby The Mystery of the Clasped Hands…

Henderson stared at him in complete surprise.
“Have you gone mad?” he asked.
“No one was ever saner,” Fensden replied. “Look here, Godfrey, can’t you see the position for yourself? Here is this beautiful Italian girl, whom you engaged through my agency. You take her from beggary, and put her in a position of comparative luxury. She has sat to you day after day, smiled at your compliments, and—well, to put it bluntly, has had every opportunity and encouragement given her to fall head over ears in love with you. Is it quite fair, do you think, to let it go on?”
Source: Gutenberg

Portrait of Guy Boothby Guy Boothby The Mystery of the Clasped Hands…

He was a little man, with a pompous manner and a great idea of his own importance. It appeared to be his opinion that Detwich was the centre of civilization, and he the custodian of its peace and safety. On his arrival he was shown into the studio, where he found the three gentlemen waiting for him. He saluted Sir Vivian with the deepest servility, Godfrey respectfully, and Victor Fensden good-naturedly, as if the latter, not being a landowner in the district, was not entitled to anything more than a nod.
Source: Gutenberg

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