Model

Definition and stakes

Portrait of J. Comyns Carr J. Comyns Carr Coasting Bohemia

When the chosen model rightly inspired him—and without that model his invention was often vapid and inert—he could succeed in a degree which no other artist has matched or surpassed in registering not only the permanent facts of beauty in form and feature, but in arresting with equal felicity the most fleeting moments of tender or passionate expression.
Source: Gutenberg

Giovanni Duprè Thoughts on Art and Autobiographical Memoirs of Giovanni Duprè

The model is used for all that is on the outside—movement, proportions, physical characteristics, beauty of form,—for all, in fact, except, however, just that turn of the head and look of the eye, that movement of the lips, dilation of the nostrils, and a thousand other signs and indications on the face which reveal the inner struggles of the soul.
Source: Gutenberg

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