Hippolyte Taine

“ In fact, the classics of the last two centuries never looked upon the human mind, except in its cultivated state. The child, the artist, the barbarian, the inspired man, escaped them; so, of course, did all who were beyond humanity; their world was limited to the earth, and to the earth of the study and drawing-rooms; they rose neither to God nor nature, or if they did, it was to transform nature into a well-regulated garden-plot, and God into a moral scrutator. They reduced genius to eloquence, poetry to discourse, the drama to a dialogue. ”

“ The mind soars among the summits as if it had wings; it embraces vast horizons in a glance, taking in all of human life, the economy of the world, the origin of the universe, of religions and of societies. Where, accordingly, would conversation be if people abstained from philosophy? What circle is that in which serious political problems and profound criticism are not admitted? And what motive brings intellectual people together if not the desire to debate questions of the highest importance?—For two centuries in France the conversation has been related to all that, and hence its great charm. ”

“ Meanwhile, beyond the King, inert and disarmed, beyond the Assembly, disobeyed or submissive, appears the real monarch, the people—that is to say, a crowd of a hundred, a thousand, a hundred thousand individuals gathered together at random, on an impulse, on an alarm, suddenly and irresistibly made legislators, judges, and executioners. A formidable power, undefined and destructive, on which no one has any hold, and which, with its mother, howling and misshapen Liberty, sits at the threshold of the Revolution like Milton's two specters at the gates of Hell. ”

“ This valley is the whole universe; from time to time a peasant passes, or a man-at-arms. A moment more and he is gone; the mind has retained no more trace of him than the empty road. Every morning the eyes find again the great woods asleep upon [317] the mountain’s brow, and the layers of clouds stretched out on the edge of the sky. The rocks light up, the summit of the forests trembles beneath the rising breeze, the shadow changes at the foot of the oaks, and the mind takes on the calm and the monotony of these slow sights by which it is nourished. ”

“ Shakespeare glides over things on as swift a wing, by leaps as sudden, with a touch as delicate.
What a soul! what extent of action, and what sovereignty of an unique faculty! what diverse creations, and what persistence of the same impress! There they all are united, and all marked by the same sign, void of will and reason, governed by mood, imagination, or pure passion, destitute of the faculties contrary to those of the poet, dominated by the corporeal type which his painter's eyes have conceived, endowed by the habits of mind and by the vehement sensibility which he finds in himself. ”

“ The incentive is blunted, because the work is done. The eccentricities, the far vistas, the unbridled originality, the all-powerful flights of genius aimed at the centre of truth through the extremes of folly, all the characteristics of grand inventive genius have disappeared. The imagination is tempered; the mind is disciplined: it retraces its steps; it walks its own domain once more with a satisfied curiosity, an acquired experience. Judgment, as it were, chews the cud and corrects itself. It finds a religion, an art, a philosophy, to reform or to form anew. ”

“ The greater number of people prefers the theories of their books to the experience of their eyes; they persist in the idyll, which they have fashioned for themselves. At the worst their dream, driven out from the present, takes refuge in the future. To-morrow, when the Constitution is complete, the people, made happy, will again become wise: let us endure the storm, which leads us on to so noble a harbor. ”

“ Beyond Gèdres is a wild valley called Chaos, which is well named. After quarter of an hour’s journey there, the trees disappear, then the juniper and the box, and finally the moss; the Gave is no longer seen; all noises are hushed. It is a dead solitude peopled with wrecks. Three avalanches of rocks and crushed flint have come down from the summit to the very bottom. The horrid tide, high and a quarter of a league in length, spreads out like waves its myriads of sterile stones, and the inclined sheet seems still to glide towards inundating the gorge. ”

“ Shakespeare saw, before he depicted them, stupid fellows, carpenters, joiners, bellows-menders, play Pyramus and Thisbe, represent the lion roaring as gently as any sucking dove, and the wall, by stretching out their hands. Every holiday was a pageant, in which townspeople, workmen, and children bore their parts. They were actors by nature. When the soul is full and fresh, it does not express its ideas by reasonings; it plays and figures them; it mimics them; that is the true and original language, the children's tongue, the speech of artists, of invention, and of joy. ”

“ There are many things to be seen on our journey: the sentiment of nature is a talent, like the understanding of certain rules; and Fielding, turning his back on Richardson, opens up a domain as wide as that of his rival. What we call nature is this brood of secret passions, often malicious, generally vulgar, always blind, which tremble and fret within us, ill-covered by the cloak of decency and reason under which we try to disguise them; we think we lead them, and they lead us; we think our actions our own, they are theirs. ”

“ When the rock of its bed is broad and smooth, it spreads out, veined with rose and azure, smilingly offering its level glass to the whole [148] mass of the sunlight. Over the bending plants, it threads its silent way in lines straight and tense as in a bundle of rushes, and with the spring and swiftness of a flying trout. When it falls opposite the sun, the hues of the rainbow may be seen trembling in its crystal threads, vanishing, reappearing, an aerial work, a sylph of light, alongside which a bee’s wine would seem coarse, and which fairy fingers would in vain strive to equal. ”

“ How could ordinary sentiments, natural and everyday notions of happiness and pleasure, subsist before such a conception? Suppose men condemned to death, not ordinary death, but the rack, torture, an infinitely horrible and infinitely extended torment, waiting for their sentence, and yet knowing that they had one chance in a thousand, in a hundred thousand, of pardon; could they still go on amusing themselves, taking an interest in the business or pleasure of the time? The azure heaven shines not for them, the sun warms them not, the beauty and sweetness of things have no attraction for them ”

“ The history of Hamlet, like that of Macbeth, is a story of moral poisoning. Hamlet has a delicate soul, an impassioned imagination, like that of Shakespeare. He has lived hitherto, occupied in noble studies, skilful in mental and bodily exercises, with a taste for art, loved by the noblest father, enamored of the purest and most charming girl, confiding, generous, not yet having perceived, from the height of the throne to which he was born, aught but the beauty, happiness, grandeur of nature and humanity. ”

“ The dull little blades that answer for leaves have a melancholy hue, without transparency or lustre; they seem hostile to the light; they neither reflect it, nor allow it to pass, they extinguish it; hardly does the noonday sun fringe them with a bluish reflection. Ten paces away, beneath such an aureole, the black pyramid cuts the horizon like an opaque mass. They crowd together in files under their funereal mantles. Their forests are silent as solitudes; the whistle of the wind makes there no noise; it glides over the stiff beard of the leaves without stirring or rubbing them together. ”

“ You quit such scenes deeply moved, filled with sympathy for human misery; you discover that life, seen near and face to face, is a mass of trivial harshnesses and grievous passions; you are tempted, if you wish to depict it, to enter into the mire of sorrows whereon Balzac and Shakespeare have built: you see in it no other poetry than that audacious reasoning power which from such a confusion abstracts the master-forces, or the light of genius which flickers over the swarm and the falls of so many polluted and wounded wretches. ”

“ Inanimate things are sucked into this whirlpool of grief. The sky's red tint at sunset, the pallid darkness spread by night over the landscape, become the blush and the pallor of shame, and the wretched man who speaks and weeps sees the whole world totter with him in the dimness of despair.
Hamlet, it will be said, is half-mad; this explains the vehemence of his expressions. The truth is that Hamlet, here, is Shakespeare. Be the situation terrible or peaceful, whether he is engaged on an invective or a conversation, the style is excessive throughout. Shakespeare never sees things tranquilly. ”

“ In this wasted solitude you meet, all of a sudden, the most smiling parterre. A throng of the lovely iris crowds itself into the bed of a dried torrent: the sun stripes with rays of gold their velvety petals of tender blue; the harvest of plumes winds with the sinuosities of the bank, and the eye follows over the whole plain the folds of the rivulet of flowers.
We climb a last eminence, sown with iris and with stones. There is a hut where you breakfast and leave the horses. You arm yourself with a stout stick, and descend upon the glaciers of the amphitheatre. ”

“ He has read and understands the jargon of Trissotin and Lycidas, but in order to pierce them through and through, to beat them with their own arguments, to set the gallery in a roar at their expense. He will discuss even morality and religion, but in a style so natural, with proofs so clear, with warmth so genuine, that he interests women, and is listened to by men of the world. He knows man, and reasons about him, but in such brief sentences, such living delineations, such pungent humor, that his philosophy is the best of entertainments. ”

“ The scene, buried in the far-off mist of fabulous antiquity, carries us back to Theseus, Duke of Athens, who is preparing his palace for his marriage with the beautiful queen of the Amazons. The style, loaded with contorted images, fills the mind with strange and splendid visions, and the airy elf-world divert the comedy into the fairy-land from whence it sprung.
Love is still the theme: of all sentiments, is it not the greatest fancy-weaver? But love is not heard here in the charming, prattle of Rosalind; it is glaring, like the season of the year. ”

“ But the rock that has lived in the air for ten thousand years, where the light has every day laid on and melted its metallic tints, is the friend of the sun, and carries its mantle upon its shoulders; it has no need of a garment of verdure; if it suffers from parasitic vegetations, it sticks them to its sides and imprints them with its colors. The threatening tones with which it clothes itself suits the free sky, the naked landscape, the powerful heat that environs it; it is alive like a plant; only it is of another age, one more severe and stronger than that in which we vegetate. ”

“ The involuntary music, in which thought wraps itself, hides ugliness and unveils beauty. Feverish man, after the labors of the evening and the anguish of the night, sees at morning the beaming whiteness of the opening heaven; he gets rid of himself, and the joy of nature from all sides enters with oblivion into his heart. If misery pursues him, the poetic afflatus, unable to wipe it out, transforms it; it becomes ennobled, he loves it, and thenceforth he bears it; for the only thing to which he cannot resign himself is littleness. ”

“ Logic is here from beneath, not from above. It is the unity of a character which binds the two actions of the personage, as the unity of an impression connects the two scenes of a drama. To speak exactly, the spectator is like a man whom we should lead along a wall pierced at separate intervals with little windows; at every window he catches for an instant a glimpse of a new landscape, with its million details: the walk over, if he is of Latin race and training, he finds a medley of images jostling in his head, and asks for a map that he may recollect himself ”

“ The road is blocked, like the roads in the suburbs of Paris on a Saturday evening. The diligence, in passing, takes up as many peasants as it meets; they are put in heaps under the tilt, among the trunks, alongside the dogs; they seem proud and pleased with their lofty place. Legs, arms and heads, dispose themselves as best they can; they sing, and the coach appears like a music-box. It is in this triumphal equipage that you reach Bagnères, after sunset. You dine in haste, are taken to the Promenade des Coustous, and find, to your utter surprise, the Boulevard de Gand among the Pyrenees. ”

“ How everything changes under the hand of a mercurial Frenchman! how all this human ugliness is blotted out! how amusing is the spectacle which Molière has arranged for us! how we ought to thank the great artist for having transformed his subject so well! At last we have a cheerful world, on canvas at least; we could not have it otherwise, but this we have. How pleasant it is to forget truth! what an art is that which divests us of ourselves! what a point of view which converts the contortions of suffering into funny grimaces! ”

“ For such a poet one ideal is not enough; beside the beauty of effort he places the beauty of happiness; he couples them, not deliberately as a philosopher, nor with the design of a scholar like Goethe, but because they are both lovely; and here and there, amid armor and passages of arms, he distributes satyrs, nymphs, Diana, Venus, like Greek statues amid the turrets and lofty trees of an English park. There is nothing forced in the union; the ideal epic, like a superior heaven, receives and harmonizes the two worlds; a beautiful pagan dream carries on a beautiful dream of chivalry ”

“ CHAPTER VI. TOULOUSE. I. When, after a two months’ sojourn in the Pyrenees, you leave Luchon, and see the flat country near Martres, you are delighted and breathe freely: you were tired, without knowing it, of those eternal barriers that shut in the horizon; you needed space. You felt that the air and light were usurped by those monstrous protuberances, and that you were not in a land of men, but in a land of mountains. Unknown to yourself you longed for a real champaign, free and broad. ”

“ It is a light gladsomeness, soon gone, like that which an April landscape affords. For an instant the author glances at the mist of the streams rising about the willow trees, that pleasant vapor which imprisons the brightness of the morning; then, humming a burden of a song, he returns to his narrative. He seeks amusement, and herein lies his power.
In life, as in literature, it is pleasure he aims at, not sensual pleasure or emotion. He is lively, not voluptuous; dainty, not a glutton. He takes love for a pastime, not for an intoxication. ”

“ Shakespeare's imagination cannot be guided by Racine's reason, nor Racine's reason be exalted by Shakespeare's imagination; each is good in itself, and excludes its rival; to unite them would be to produce a bastard, a weakling, and a monster. Disorder, violent and sudden action, harsh words, horror, depth, truth, exact imitation of reality, and the lawless outbursts of mad passions—these features of Shakespeare become each other. Order, measure, eloquence, aristocratic refinement, worldly urbanity, exquisite painting of delicacy and virtue, all Racine's features suit each other. ”

“ As for the river itself, its waters stretch out joyous and splendid; the rising sun pours upon its breast a long streamlet of gold; the breeze covers it with scales; its eddies stretch themselves, and tremble like an awaking serpent, and, when the billow heaves them, you seem to see the striped flanks, the taw-ney cuirass of a leviathan.
Indeed, at such moments it seems that the water must live and feel; it has a strange look, when it comes, transparent and sombre, to stretch itself upon a beach of pebbles; it turns about them as if uneasy and irritated; it beats them with its wavelets ”

“ He is a muser, a Platonist, who is penetrated by the doctrines of the ancients, who takes things from a lofty point of view, who places the excellence of poetry not in pleasing effect, imitation, or rhyme, but in that creative and superior conception by which the artist creates anew and embellishes nature. At the same time, he is an ardent man, trusting in the nobleness of his aspirations and in the width of his ideas, who puts down the brawling of the shoppy, narrow, vulgar Puritanism, and glows with the lofty irony, the proud freedom, of a poet and a lord. ”

“ At the summit grow the mosses. Battered by the wind, dried by the sun, they lose the fresh green tint they wear in the valleys and on the brink of the springs. They are reddened with tawny hues, and their smooth filaments have the reflexes of a wolf’s fur. Others, yellowed and pale, cover with their sickly colors the bleeding crevices. Then there are gray ones, almost white, which grow like remnants of hair upon the bald rocks. Far away, upon the back of the mountain, all these tints are mingled, and the shaded fur emits a wild gleam. ”

“ It is so with others; and this is how, according to the variations, the birth, blossoms, decline, or sluggishness of the master-idea, literature varies, is born, flourishes, degenerates, comes to an end. Whoever plants the one, plants the other: whoever undermines the one, undermines the other. Place in all the minds of any age a new grand idea of nature and life, so that they feel and produce it with their whole heart and strength, and you will see them, seized with the craving to express it, invent forms of art and groups of figures. ”

“ We gazed on the broad country, the ranges of rounded hills, the silent plain under the dull dome of the sky. Three hundred paces away the Gave rolls between marshalled banks, which it has covered with sand; in the midst of the waters may be seen the moss-grown piles of a ruined bridge. One is at ease here, and yet at the bottom of the heart one feels a vague unrest; the soul is softened and loses itself in melancholy and tender revery. Suddenly the clock strikes, and one has to go and prepare to take his soup between two commercial travellers. ”

“ To copy the common actions of every-day life, the puerilities and feeblenesses to which the greatest continually sink, the outbursts of passion which degrade them, the indecent, harsh, or foul words, the atrocious deeds in which license revels, the brutality and ferocity of primitive nature, is the work of a free and unencumbered imagination. To copy this hideousness and these excesses with a selection of such familiar, significant, precise details, that they reveal under every word of every personage a complete civilization, is the work of a concentrated and all-powerful imagination. ”

“ Under the whistling north wind it bristles with violet waves; the passing clouds marble it with still more sombre spots; as far as the eye can reach is a sickly agitation of wan waves, chopping and disjointed, a sort of moving skin that trembles, wrenched by an inward fever; occasionally a streak of foam crossing them marks a more violent shock. Here and there, between the intervals of the clouds, the light cuts out a few sea-green fields upon the uniform plain; their tawny lustre, their unhealthy color, add to the strangeness and to the limits of the horizon. ”

“ Each little verse is an acclamation, which breaks forth like a growl; their strong breasts heave with a groan of anger or enthusiasm, and a vehement or indistinct phrase or expression rises suddenly, almost in spite of them, to their lips. There is no art, no natural talent, for describing singly and in order the different parts of an object or an event. The fifty rays of light which every phenomenon emits in succession to a regular and well-directed intellect, come to them at once in a glowing and confused mass, disabling them by their force and convergence. ”

“ It is strewn with squared blocks, dark vertebræ snatched from its spine; the head is wanting, and the monstrous bones, crushed and in disorder, scattered to the brink of the Gave, announce some ancient defeat. Another lying opposite, with a dreary air, extends its bald back a league away; in vain you go on or change your view: it is always there, always huge and melancholy. Its naked granite suffers neither tree nor spot of verdure; a few patches of snow alone whiten the hollows in its sides, and its monotonous ridge shifts sadly its lines, blotting out half the sky with its bastions. ”

“ It is an art for all that, since it is natural; a great art, since it embraces more things, and that more deeply than others do, like the art of Rembrandt and Rubens; but like theirs, it is a Teutonic art, and one whose every step is in contrast with those of classical art. What the Greeks and Romans, the originators of the latter, sought in everything, was charm and order. Monuments, statues, and paintings, the theatre, eloquence and poetry, from Sophocles to Racine, they shaped all their work in the same mould, and attained beauty by the same method. ”

“ Every day we went to a seat upon a rock at the end of this road; from there, through the whole valley of Ossau, you follow the torrent grown into a river; the rich valley, a mosaic of yellow harvests and green fields, broadly opens out to the confines of the landscape, and allows the eye to lose itself in the dim distance of Béarn. From each side three mountains strike out their feet towards the river, and cause the outline of the plain to rise and fall in waves; the furthest slope down like pyramids, and their pale blue declivities stand out upon the rosy zone of the dim sky. ”

“ Look at these uncultivated men, men of the people, how suddenly the blood warms and rises to their face; their fists double, their lips press together, and those vigorous bodies rush at once into action. The courtiers of that age were like our men of the people. They had the same taste for the exercise of their limbs, the same indifference toward the inclemencies of the weather, the same coarseness of language, the same undisguised sensuality. They were carmen in body and gentlemen in sentiment, with the dress of actors and the tastes of artists. ”

“ The rich valley resembles a great basin full to overflowing of fruit-trees and maize. White clouds hover slowly in the depths of heaven, like a flock of tranquil swans. The eye rests on the down of their sides, and turns with pleasure upon the roundness of their noble forms. They sail in a troop, carried on by the south wind, with an even flight, like a family of blissful gods, and from up above they seem to look with tenderness upon the beautiful earth which they protect and are going to nourish. ”

“ No writer, not even Molière, has penetrated so far beneath the semblance of common-sense and logic in which the human machine is enclosed, in order to disentangle the brute powers which constitute its substance and its mainspring.
How did Shakespeare succeed? and by what extraordinary instinct did he divine the remote conclusions, the deepest insights of physiology and psychology? He had a complete imagination; his whole genius lies in that complete imagination. ”

“ How good it is in the full light to rejoice in a strong body, well-formed muscles, a spirited and bold soul! The splendid goddesses reappear in their primitive nudity, not dreaming that they are nude; you see from the tranquillity of their look, the simplicity of their expression, that they have always been thus, and that shame has not yet reached them. The soul's life is not here contrasted, as amongst us, with the body's life; the one is not so lowered and degraded that we dare not show its actions and functions; they do not hide them; man does not dream of being all spirit. ”

“ Do you not see the poet behind the crowd of his creations? They have heralded his approach. They have all shown somewhat of him. Ready, impetuous, impassioned, delicate, his genius is pure imagination, touched more vividly and by slighter things than ours. Hence his style, blooming with exuberant images, loaded with exaggerated metaphors, whose strangeness is like incoherence, whose wealth is superabundant, the work of a mind, which, at the least incitement, produces too much and takes too wide leaps. ”

“ They are living men and actions which he sets in motion; only from time to time, in his poem, enchanted palaces, a whole train of splendid visions trembles and divides like a mist, enabling us to catch a glimpse of the thought which raised and arranged it. When in his Garden of Adonis we see the countless forms of all living things arranged in due order, in close compass, awaiting life, we conceive with him the birth of universal love, the ceaseless fertility of the great mother, the mysterious swarm of creatures which rise in succession from her "wide wombe of the world." ”