Summary

Portrait of Hippolyte Taine Hippolyte Taine The Modern Regime, Volume 2

The first, that of adult men, frees itself the most and the soonest: during the following half century, we see the preventive or repressive censorship of books, journals and theatres, every special instrument that gags free speech, relaxing its hold, breaking down bit by bit and at last tumbling to the ground. Even when again set up and persistently and brutally applied, old legal muzzles are never to become as serviceable as before. No government will undertake, like that of Napoleon, to stop at once all outlets of written thought; some will always remain more or less open.
Source: Gutenberg

Portrait of Hippolyte Taine Hippolyte Taine The Modern Regime, Volume 2

It is an extraordinary faculty operating alongside of and often in conjunction with our natural faculties; over and above things as our observation naturally presents them to us, it reveals to us a beyond, a majestic, grandiose world, the only one truly real and of which ours is but the temporary veil. In the depths of the soul, much below the superficial crust of which we have any conscience,5317 impressions have accumulated like subterranean waters. There, under the surging heat of innate instincts, a living spring has burst forth, growing and bubbling in the obscurity
Source: Gutenberg

Portrait of Hippolyte Taine Hippolyte Taine The Modern Regime, Volume 2

To this end, the main purpose of the conquering State is the possession of the Churches; alongside as well as outside of itself, these are the great powers of the nation; not only does their domain differ from its own but, again it is vaster and lies deeper. Beyond the temporal patrimony and the small fragment of human history which the eyes of the flesh perceive, they embrace and present to mental vision the whole world and its first cause, the total ordinance of things, the infinite perspective of a past eternity and that of an eternity to come.
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature