William Douglas O'Connor

Summary

William Douglas O'Connor The Good Gray Poet, A Vindication

I know not what further vicissitude of insult and outrage is in store for this great man. It may be that the devotees of a castrated literature, the earthworms that call themselves authors, the confectioners that pass for poets, the flies that are recognized as critics, the bigots, the dilettanti, the prudes and the fools, are more potent than I dream to mar the fortunes of his earthly hours; but above and beyond them uprises a more majestic civilization in the immense and sane serenities of futurity; and the man who has achieved that sublime thing, a genuine book
Source: Gutenberg

William Douglas O'Connor The Good Gray Poet, A Vindication

Open this other book of his, William Shakespeare, a book with only one grave fault, the omission of the words “A Poem” from the title-page; a book which is the courageous arch, the comprehending sky of criticism, but which no American publisher will dare to issue, or, if he does, will expurgate. Out with Hugo, of course!—Here is Juvenal, terrible and splendid fountain of all satire; inspiration of all just censure; exemplar of all noble rage at baseness; satirist and moralist sublimed into the poet; the scowl of the unclouded noon above the low streets of folly and of sin.
Source: Gutenberg

William Douglas O'Connor The Good Gray Poet, A Vindication

Up, on the highest summit, stand such works, never to be surpassed, never to be supplanted. Their indecency is not that of the vulgar; their vulgarity is not that of the low. Their evil, if it be evil, is not there for nothing—it serves; at the base of it is Love.—Every poet of the highest quality is, in the masterly coinage of the author of Leaves of Grass, a kosmos. His work, like himself, is a second world, full of contrarieties, strangely harmonized, and moral indeed, but only as the world is moral. Shakespeare is all good, Rabelais is all good, Montaigne is all good
Source: Gutenberg

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