Summary

Emory Holloway The Cambridge History of American Literature (1917)

If Whitman was, as he said, “a child, very old,” Emerson was a man, very young. It was almost as if the older champion of individuality had meditated the philosophy by which the younger was to live; but whereas the Emersonian gospel, addressing itself to the idealism of its readers, “breeds the giant which destroys itself,” Whitmanism, appealing strongly to the religious sentiment, has already had the ironical fate of developing something not unlike a cult, both at home and in other countries.
Source: Wikisource

Emory Holloway The Cambridge History of American Literature (1917)

Throughout childhood, youth, and earlier manhood he returned to spend summers, falls, or even whole years at various parts of the Island, either as a healthy roamer enjoying all he saw, or as a school-teacher, or as the editor of a country paper, or as a poet reading Dante in an old wood and Shakespeare, Æschylus, and Homer within sound of the lonely sea, and mewing his strength for the bold flights of his fancy.
Source: Wikisource

Emory Holloway The Cambridge History of American Literature (1917)

On the other hand a growing number of readers have seen in Whitman—quite aside from a personality which, for all its philosophical breadth and its friendly sweetness, was hampered by an occasionally repellent sentimental egotism and a marked deficiency in taste—a genuine artist and a true poet. All manner of liberal political, sociological, and religious movements have been fathered on Whitman the seer and prophet; while Whitman the poet has become the legitimate founder of the various forms of modern free verse.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature