Elizabeth Barrett Browning

Elizabeth Barrett Browning

Summary

Portrait of Elizabeth Barrett Browning Elizabeth Barrett Browning The Complete Works of Mrs. E. B. Browning (1901)

Those who take pride in her genius may descry here, in the lowly pasture-lands of the three early volumes she dared to look down upon, the bulge of the ground where the blind roots of the mountains are feeling their way toward the glittering summits.
In the closing passage of the "Essay on Mind" there may be seen inside the more noticeable change of verse-effect the appeal to a more mystical conception of the theme. The verse-change is but the outward sign of it. Each thought she dwells upon, now, is inhabited, as it were, by a suggestive light.
Source: Wikisource

Portrait of Elizabeth Barrett Browning Elizabeth Barrett Browning The Complete Works of Mrs. E. B. Browning (1901)

CRITICAL INTRODUCTION.
"How proud we are, in daring to look down upon ourselves!" cries Aurora Leigh, when she is rejecting her past work. Such pride spoke in Miss Barrett's opposition, as early as 1844, to the reissue of any of her Juvenilia. It was the pride of the glowing aim and growing power that made all her young accomplishment look not merely immature and weak, but also imitative beside the dim outline of work peculiarly her own and yet to be.
Source: Wikisource

Portrait of Elizabeth Barrett Browning Elizabeth Barrett Browning The Complete Works of Mrs. E. B. Browning (1901)

It is the "first holy poet-ground" of England, therefore, the beautiful Malvern Hills, the hills of Piers Plowman's Visions, the heights of Langland's early dream of an ideally humane and regenerated society, that may be associated happily and most fitly with the dewy impressions of the growing girl whose ethical fervor and large-minded political interests were destined to animate her poetic expression with a potency as peculiarly vital and exalted as that inherent in her lovely lyrical creative gift.
Source: Wikisource

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