Algernon Charles Swinburne

Algernon Charles Swinburne

Summary

Portrait of Algernon Charles Swinburne Algernon Charles Swinburne A Study of Ben Jonson — Miscellaneous Works (1889)

The noble infirmity of excess in benevolence is indisputably no less obvious in three great writers of our own century; great, each of them, like Ben Jonson, in prose as well as in verse: one of them greater than he, one of them equal, and one of them hardly to be accounted equal with him. Victor Hugo, Walter Savage Landor, and Théophile Gautier, were doubtless as exuberant in generosity—the English poet was perhaps as indiscriminate in enthusiasm of patronage or of sympathy—as even the promiscuous panegyrist of Shakespeare, of Fletcher, of Chapman, of Drayton, of Browne, of Brome, and of May
Source: Wikisource

Portrait of Algernon Charles Swinburne Algernon Charles Swinburne A Study of Ben Jonson — Miscellaneous Works (1889)

As we turn from Gray to Collins, as we turn from Wordsworth to Coleridge, as we turn from Byron to Shelley, so do we turn from Jonson to Herrick; and so do we recognize the lyric poet as distinguished from the writer who may or may not have every gift but one in higher development of excellence and in fuller perfection of power, but who is utterly and absolutely transcended and shone down by his probably unconscious competitor on the proper and peculiar ground of pure and simple poetry.
Source: Wikisource

Portrait of Algernon Charles Swinburne Algernon Charles Swinburne A Study of Ben Jonson — Miscellaneous Works (1889)

It is an intolerable scandal that the public should be content to endure such an outrage as the intrusion of another man's abominable absurdities into the text of such a writer as Ben Jonson. This effusion of his young friend's, which must surely have been meant as a joke—and a very bad, not to say a very brutal one, is probably the most hideous nonsense ever written on the desecrated subject of death and decay.
Source: Wikisource

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