Théophile Gautier

Definition and stakes

Portrait of Théophile Gautier Théophile Gautier,  King Candaules

“ His head was joined to his shoulders by a neck massive as a bull’s, and almost without a curve; his hair, black and lustrous, twisted itself into rebellious little curls, here and there concealing the circlet of his diadem; his ears, small and upright, were of a ruddy hue; his forehead was broad and full, though a little low, like all antique foreheads; his eyes full of gentle melancholy, his oval cheeks, his chin with its gentle and regular curves, his mouth with its slightly parted lips—all bespoke the nature of the poet rather than that of the warrior. ”
Source: Gutenberg

Portrait of Théophile Gautier Théophile Gautier,  Mademoiselle de Maupin, Volume 2…

“ O Rosalind, I love you, I adore you, would that there were a word stronger than that! I have never loved, I have never adored any woman but you;—I prostrate myself, I annihilate myself before you, and I would like to compel all creation to bend the knee before my idol; to me you are more than all nature, more than myself, more than God;—indeed, it seems strange to me that God does not come down from heaven to be your slave. Where you are not, everything is a desert, everything is dead, everything is black ”
Source: Gutenberg

Portrait of Théophile Gautier Théophile Gautier,  Clarimonde

“ She bore in her hand a little lamp, shaped like those which are placed in tombs, and its light lent her fingers a rosy transparency, which extended itself by lessening degrees even to the opaque and milky whiteness of her bare arm. Her only garment was the linen winding-sheet which had shrouded her when lying upon the bed of death. She sought to gather its folds over her bosom as though ashamed of being so scantily clad, but her little hand was not equal to the task. She was so white that the colour of the drapery blended with that of her flesh under the pallid rays of the lamp. ”
Source: Gutenberg

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