Summary

May Byron A Day with Walt Whitman

No name could better convey and sum up his meaning in art,—a commixture of the minute and the universal, the simple and the inexplicable, the particular and the all-pervading,—the commonplace which is also the miracle: for to Whitman leaves of grass were this and more. "To me," he declared, "as I lean and loaf at my ease, observing a spear of summer grass,"
Every hour of the light and dark is a miracle—
Every cubic inch of space is a miracle,
the grass-blades no less so than the "gentle soft-born measureless light."
Source: Gutenberg

May Byron A Day with Walt Whitman

Days, even weeks untired and onward, through spaces, realms gyrating,
At dusk that look'st on Senegal, at morn America,
That sport'st amid the lightning-flash and thunder-cloud,
In them, in thy experiences, had'st thou my soul,
What joys! what joys were thine!
and out of the smoke and din of conflict, he believed, should spring "the most splendid race the sun ever shone upon," knit in sublime unity of brotherhood.
Dinner over, Whitman retired awhile to his own apartment: that fearful chaos of pell-mell untidiness which was the delight of its occupant and the despair of Mrs. Stafford.
Source: Gutenberg

May Byron A Day with Walt Whitman

And each step of the way was a pure joy to him. "What a day!" he murmured, "what an hour just passing! the luxury of riant grass and blowing breeze, with all the shows of sun and sky and perfect temperature, never before so filling me body and soul!" So rhapsodizing inwardly and drinking in the beauty of sight and sound, he proceeded, "still sauntering on, to the spring under the willows—musical as soft clinking glasses—pouring a sizeable stream, pure and clear, out from its vent where the bank arches over like a great brown shaggy eyebrow or mouth-roof—gurgling, gurgling ceaselessly
Source: Gutenberg

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