Summary

Various The Mirror of Literature, Amusement…

Cunningham well observes—"Though the most accomplished author of his day, yet he had none of the airs of authorship." He continues—"He was a proud man; not a proud poet, or historian, or novelist." His was the pride of ancestry—a weakness, to be sure, but of a venial nature: "he loved to be looked on as a gentleman of old family, who built Abbotsford, and laid out its garden, and planted its avenues, rather than a genius, whose works influenced mankind, and diffused happiness among millions." His own narrative will best illustrate his labours of leisure at Abbotsford.
Source: Gutenberg

Various The Mirror of Literature, Amusement…

A prose writer, a poet, a novelist—he yielded, during his long and laborious career, to the impulse of a fancy, rich, copious, and entirely independent of present circumstances, aloof from the agitations of the day, delighting in the memory of the past, and drawing from the surviving relics of ancient times the traditionary tale, to revive and embellish it. He was one of those geniuses in romance who may be said to have been impartial and disinterested, for he gave a picture of ordinary life exactly as it was.
Source: Gutenberg

Various The Mirror of Literature, Amusement…

In the following summer the Life appeared in nine volumes, an extent much beyond the original project. As might be expected, from the aristocratical turn of Sir Walter's political tenets, the opinions on this work were more various than on any other of his productions: it is, to say the best, the most faulty and unequal of them all; and, considering how clearly this has been shown, it is somewhat surprising to hear so clever a critic as Mr. Cunningham pronounce The Life of Napoleon as "one of the noblest monuments of Scott's genius."
Source: Gutenberg

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