Summary

Portrait of Letitia Elizabeth Landon Letitia Elizabeth Landon Living Literary Characters, No V. Edward Lytton Bulwer (1831)

For every why, we ask a wherefore. We will not allow an author to display his talents merely as the knights broke each other's limbs of old, for honour: we expect that he should have a purpose in this display, and that purpose one of tangible benefit. It is this that makes the excellence of the writer before us. With that keen perception of reality, which is the executive power of genius, he has entered into the spirit of his own times. Mr. Bulwer is the first novelist who has placed his best reward, and his great aim, in the utility of his writings.
Source: Wikisource

Portrait of Letitia Elizabeth Landon Letitia Elizabeth Landon Living Literary Characters, No V. Edward Lytton Bulwer (1831)

Whether in lively satire, keen remark, or accurate reflection—whether in deducing the character from circumstance—whether in painting the nice distinction of natural good feeling which favourable position ripens into virtue, or natural strong passion, or weakness, which events harden into crime—the desire of benefit from an obvious lesson, or practical inference necessarily drawn by the reader, the same desire of conferring a moral benefit on the author's kind is paramount through all. Fiction is the eloquence of experience, and to be useful it must be actual.
Source: Wikisource

Portrait of Letitia Elizabeth Landon Letitia Elizabeth Landon Living Literary Characters, No V. Edward Lytton Bulwer (1831)

The personal attacks; the virulent sneers; the coarse and false statements; the foolish opinions of a set whose incognito is indeed their existence—for who would or could care for the abuse of an individual whose own character was below contempt, or who would not despise the judgment of one whose only right to pronounce such judgment lay in his own previous failure in some similar attempt to that which he denounces? Who shall deny that the great body of critics are made up of unsuccessful writers?—the inferior magazines and journals are truly the refuge for the literary destitute.
Source: Wikisource

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