Summary

Stapleton Martin Anna Seward, and Classic Lichfield

No one can deny that Anna Seward was the most famous poetess of her day, but there is, as Sir Walter Scott wrote, “a fashion in poetry, which, without increasing or diminishing the real value of the materials moulded upon it, does wonders in facilitating its currency, while it has novelty, and is often found to impede its reception when the mode has passed away.” It must be admitted that her poetry is not likely ever again to be much read; still, a study of her, and of the Lichfield Savants of her time, must always be instructive.
Source: Gutenberg

Stapleton Martin Anna Seward, and Classic Lichfield

Miss Mitford has described Anna Seward as “all tinkling and tinsel—a sort of Dr. Darwin in petticoats.” Edgeworth described her as “a handsome woman of agreeable manners, she was generous, possessed of good sense, and capable of strong affection”; and Sir Walter Scott thought that she must have been, “when young, exquisitely beautiful; for, in advanced age, the regularity of her features, the fire and expression of her countenance, gave her the appearance of beauty, and almost of youth.
Source: Gutenberg

Stapleton Martin Anna Seward, and Classic Lichfield

It seems that the public, a hundred years ago, had the same taste as the public of to-day! It is novels, novels, novels, which alone satisfy their appetites, when they feed on books!
“Wit was never my talent,” Anna Seward says, but she has recorded that when the “rulers of our Cathedral” decreed a four years’ silence for “the pealing organ and the full-voic’d choir,” because of alterations to be made there, she considered them “a little bedemoned, or much be-deaned—which is nearly the same thing.”
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature