Summary

Portrait of Henry David Thoreau Henry David Thoreau Miscellanies — Thomas Carlyle and his Works (1893)

Beside some philosophers of larger vision, Carlyle stands like an honest, half-despairing boy, grasping at some details only of their world systems. Philosophy, certainly, is some account of truths, the fragments and very insignificant parts of which man will practice in this workshop; truths infinite and in harmony with infinity, in respect to which the very objects and ends of the so-called practical philosopher will be mere propositions, like the rest. It would be no reproach to a philosopher, that he knew the future better than the past, or even than the present.
Source: Wikisource

Portrait of Henry David Thoreau Henry David Thoreau Miscellanies — Thomas Carlyle and his Works (1893)

There is very little of what is called criticism here; it is love and reverence, rather, which deal with qualities not relatively, but absolutely great; for whatever is admirable in a man is something infinite, to which we cannot set bounds. These sentiments allow the mortal to die, the immortal and divine to survive. There is something antique, even, in his style of treating his subject, reminding us that Heroes and Demi-gods, Fates and Furies, still exist; the common man is nothing to him, but after death the hero is apotheosized and has a place in heaven, as in the religion of the Greeks.
Source: Wikisource

Portrait of Henry David Thoreau Henry David Thoreau Miscellanies — Thomas Carlyle and his Works (1893)

To have our sunlight without paying for it, without any duty levied,—to have our poet there in England, to furnish us entertainment, and, what is better, provocation, from year to year, all our lives long, to make the world seem richer for us, the age more respectable, and life better worth the living,—all without expense of acknowledgment even, but silently accepted out of the east like morning light as a matter of course.
Source: Wikisource

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