Summary

John Mackinnon Robertson The Yellow Book, Volume 13 — Concerning Preciosity

They play with words, they twist and deform them, they cast up sudden perspectives, sharp contrasts, which leap out, stroke upon stroke, one after the other, to infinity. They throw flower on flower, tinsel on tinsel; everything that glitters gives them pleasure; they gild and embroider and plume their language as they do their clothes. Of clearness, of order, of good sense, they have no thought; it is a festival and it is a riot: absurdity pleases them." [4]
Allowing for differences of time and culture and class, this holds more or less true of preciosity always. It is a wilful play of bias.
Source: Wikisource

John Mackinnon Robertson The Yellow Book, Volume 13 — Concerning Preciosity

It may be that the new literary commonweal is relatively commonplace, charmless, and unsubtle in its speech and thinking; but none the less it has the strength which comes of standing on Mother Earth. Its tongue is the tongue of a new philosophy, a new science, a new criticism, and a new prose fiction; and in these exercises lies the gymnastic which will later redeem the new-fashioned poetry itself from the new preciosity that is to overtake it when it in turn becomes but a pastime and a technique.
Source: Wikisource

John Mackinnon Robertson The Yellow Book, Volume 13 — Concerning Preciosity

A factitious literature, an art for art's sake, would tend to flourish just as superstition flourished; only, inasmuch as bad intellectual conditions tend ultimately to kill literature altogether, that soon passed from morbid luxuriance to inanition, while superstition in the same soil grew from strength to strength.
The preciosity of the Renascence, again, is also in large part a matter of the unrestrained exuberance of youth — in this case exercising itself one-sidedly in a new world of literature, living the life of words much more than the life of things and the knowledge of things.
Source: Wikisource

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