Summary

Portrait of Walter Alexander Raleigh Walter Alexander Raleigh,  Samuel Johnson: the Leslie Stephen lecture

“ Johnson, it may be remarked, does not answer Soame Jenyns's argument; he concentrates on it the vivifying heat of his imagination, and it shrivels under the glow. He felt no respect for a structure of theory, however ingenious and elaborate, which is built up from facts imperfectly realized. 'Life,' he says, 'must be seen before it can be known.' Because he had seen much of life, his last and greatest work. The Lives of the Most Eminent English Poets, is more than a collection of facts: it is a book of wisdom and experience, a treatise on the conduct of life, a commentary on human destiny. ”
Source: Wikisource

Portrait of Walter Alexander Raleigh Walter Alexander Raleigh,  Samuel Johnson: the Leslie Stephen lecture

“ This is the greatness of Johnson, that he is greater than his works. He thought of himself as a man, not as an author; and of literature as a means, not as an end in itself. Duties and friendships and charities were more to him than fame and honour. The breadth and humanity of temper which sometimes caused him to depreciate the importance of literature, have left their mark on his books. There are some authors who exhaust themselves in the effort to endow posterity, and distil all their virtue in a book. ”
Source: Wikisource

Portrait of Walter Alexander Raleigh Walter Alexander Raleigh,  Samuel Johnson: the Leslie Stephen lecture

“ It is not easy for us to imagine the conditions of literature in London when Johnson first came there, and for many years after,—the crowds of miserable authors, poor, servile, jealous, and venal. Immersed in this society he laboured for years. The laws that he imposed on his drudgery were never broken. He made no personal attacks on others, and answered none on himself. He never complied with temporary curiosity, nor enabled his readers to discuss the topic of the day. He never degraded virtue by the meanness of dedication. ”
Source: Wikisource

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