Guy de Maupassant

Guy de Maupassant

Summary

Portrait of Guy de Maupassant Guy de Maupassant Who Knows? — Part II (1890)

At the end of these grim storehouses you saw piled up sculptured chests, Rouen, Sevres, and Moustier's pottery, painted statues, others of oak, Christs, Virgins, Saints, church ornaments, chasubles, capes, even sacred vases, and an old gilded wooden tabernacle, where a god had hidden himself away. What singular caverns there are in those lofty houses, crowded with objects of every description, where the existence of things seems to be ended, things which have survived their original possessors, their century, their times, their fashions, in order to be bought as curiosities by new generations.
Source: Wikisource

Portrait of Guy de Maupassant Guy de Maupassant Who Knows? — Part II (1890)

I went from shop to shop, crossing in two strides the rotten four plank bridges thrown over the nauseous current of the "Eau de Robec."
Heaven protect me! What a shock! At the end of a vault, which was crowded with articles of every description and which seemed to be the entrance to the catacombs of a cemetery of ancient furniture, I suddenly descried one of my most beautiful wardrobes.
Source: Wikisource

Portrait of Guy de Maupassant Guy de Maupassant Who Knows? — Part II (1890)

Think! only think in what a state of mind I now was! I advanced, haltingly, quivering with emotion, but I advanced, for I am brave--I advanced like a knight of the dark ages.
At every step I found something that belonged to me; my brushes, my books, my tables, my silks, my arms, everything, except the bureau full of my letters, and that I could not discover.
Source: Wikisource

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