H. C. McNeile

H. C. McNeile

Summary

Portrait of H. C. McNeile H. C. McNeile A Game of Bluff (1923)

Jim grunted, and lowered his revolver slowly, as if in thought.
“He is your husband, is he? Well, get me those Egyptian bonds at once. Is it smarting, Comte? Then you have no time to lose, madame. Hand me those bonds, and I will consider whether I will save this man,” he ended meditatively.
He stood aside, and she rushed from the room like a woman distraught. The Comte was moaning in a corner with the two other men bending over him, and Jim caught my eye and winked.
Source: Wikisource

Portrait of H. C. McNeile H. C. McNeile A Game of Bluff (1923)

And with a faint smile old Jim placed that excellent publication on his knee, and gazed at his offspring.
Bluff, my son, is winning an unlimited jack pot with a queen-high hand from a fellow with three aces—and upsetting the table before you can be asked to show your openers. Bluff, my boy, is, in short, the art of winning a game with losing cards; and the essence of that art is to play the hand right through as if you held winners, without a thought of failure.
Source: Wikisource

Portrait of H. C. McNeile H. C. McNeile A Game of Bluff (1923)

THE boy lunched at the expense of his new friend—and then proceeded in the Comte's powerful motor car to a villa halfway between Nice and Monte Carlo. A charming villa, we gathered, where he was introduced to one or two of the Comte's friends. And after a short while the Comte suggested an adjournment for business. There was roulette in one room, and baccarat in another. Petits chevaux, poker, and even fan-tan seemed to be legislated for, each in its own separate room. But the point about which Jack was most insistent was the singular charm of every one he met.
Source: Wikisource

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