The concept of "bluff" refers to a strategic act of deception or feigned confidence, often used to mislead or intimidate. In literature, this theme is expressed through various approaches: Jack London portrays it as a bold, calculated human force requiring unwavering assurance, while Rafael Sabatini depicts it as a tool of adventurers. The 1976 film Bluff, a crime-comedy directed by Sergio Corbucci, illustrates this through its complex schemes of con artists orchestrating layered deceptions.
Authors like Lyon Mearson and Alfred Henry Lewis further examine bluff as a psychological maneuver or a social performance, highlighting its dual role as both a survival tactic and a narrative element. The film’s climax, where characters repeatedly outwit each other through staged falsehoods, reflects the literary theme’s core: deception as a dynamic interplay of risk, perception, and narrative control.