Summary

Portrait of Agnes Repplier Agnes Repplier In the dozy hours, and other papers

Humor, in one form or another, is characteristic of every nation; and reflecting the salient points of social and national life, it illuminates those crowded corners which history leaves obscure. The laugh that we enjoy at our own expense betrays us to the rest of the world, and the humorists of England and America have been long employed in pointing out with derisive fingers their own, and not their neighbor’s shortcomings. If we are more reckless in our satire, and more amused at our own wit, it is because we are better tempered, and newer to the game.
Source: Gutenberg

Portrait of Agnes Repplier Agnes Repplier In the dozy hours, and other papers (1894)

Art needs no apologist, and our great literary artist, using his chosen material after his chosen fashion, heedless alike of new theories and of ancient prejudices, gave to the world a masterpiece of fiction which the world was not too stupid to hold dear.
The pleasure of imparting opinions in print is by no means confined to professionals, to people who are assumed to know something about a subject because they have been more or less occupied with it for years. On the contrary, the most lively and spirited discussions are those to which the general public lends a willing hand.
Source: Wikisource

Portrait of Agnes Repplier Agnes Repplier In the dozy hours, and other papers (1894)

With Scott, it is the spirit of genial good-fellowship which turns a venison pasty into a bond of brotherhood, and strengthens, with a runlet of canary, the human tie which binds us man to man. Dickens tries to do this, but does not often succeed, just because he tries. A conscious purpose is an irresistible temptation to oratory, and we do not want to be preached to over a roast goose, nor lectured at through the medium of pork and greens. Scott never turns a table into a pulpit; it is his own far-reaching sympathy which touches the secret springs that move us to kind thoughts.
Source: Wikisource

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