Summary

Portrait of Agnes Repplier Agnes Repplier A happy half-century and other essays (1908)

The wave of sentimentality which submerged England when the clear-headed, hard-hearted eighteenth century had done its appointed work, and lay a-dying, the prodigious advance in gentility from the days of Lady Mary Wortley Montagu to the days of the Countess of Blessington, found their natural expression in letters. It was a period of emotions which were not too deep for words, and of decorum which measured goodness by conventionalities. Turn where we will, we see a tear in every eye, or a simper of self-complacency on every lip.
Source: Gutenberg

Portrait of Agnes Repplier Agnes Repplier A happy half-century and other essays (1908)

What would have become of little Caroline and Mary in Mary Wollstonecraft's "Original Stories," if Mrs. Mason—who is Mr. Barlow in petticoats—had ceased for a short time "regulating the affections and forming the minds" of her helpless charges? All these young people are so scrutinized, directed, and controlled, that their personal responsibility has been minimized to the danger point. In the name of nature, in the name of democracy, in the name of morality, they are pushed aside from the blessed fellowship of childhood, and from the beaten paths of life.
Source: Wikisource

Portrait of Agnes Repplier Agnes Repplier A happy half-century and other essays (1908)

Rejection cannot alienate their faithful hearts; years and absence cannot chill their fervour. They belong to a race of men who, if they ever existed at all, are now as extinct as the mastodon.
It was Miss Jane Porter who successfully transferred to a conquering hero that exquisite sensibility of soul which had erstwhile belonged to the conquering heroine,—to the Emmelines and Adelinas of fiction. Dipping her pen "in the tears of Poland," she conveyed the glittering drops to the eyes of "Thaddeus of Warsaw," whence they gush in rills,—like those of the Prisoner of Chillon's brother.
Source: Wikisource

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