Agnes Repplier

Agnes Repplier

Summary

Portrait of Agnes Repplier Agnes Repplier Essays in Miniature

He is not writing a history; he is telling a story. He is not chronicling events; he is weaving a romance. He is an artist, not a recorder; and in the choice as well as in the use of material lies the test of unblemished art.
What, then, is the vital charm which makes the novel of incident true literature—the charm possessed by Dumas, and Fielding, and Sir Walter Scott? Mr. Birrell, who is always in love with plain definitions, says that if a book be full of “inns, atmosphere, and motion,” then it is a good book, and he asks no more.
Source: Gutenberg

Portrait of Agnes Repplier Agnes Repplier Essays in Miniature (1892)

But the villain! Remember what we owe to him in the past. Think how dear he has become to every rightly constituted mind. And now we are told, soberly and coldly, by the thin-blooded novelists of the day, that his absence is one of the crowning triumphs of modern genius, that we have all grown too discriminating to tolerate in fiction a character who we feel does not exist in life. Man, we are reminded, is complex, subtle, unfathomable, made up of good and evil so dexterously intermingled that no one element predominates coarsely over the rest.
Source: Wikisource

Portrait of Agnes Repplier Agnes Repplier Essays in Miniature

But if there is one thing more than another to be avoided and ruthlessly condemned, it is this quiet assumption that a woman has parted with her heart, when she herself has breathed no word to warrant it. The cheerful serenity of Jane Austen’s daily life showed no ripple of storm, her lips told no tale; and why are we to assume that a young man whom she met for a few idle weeks and never saw again had broken down the barriers of that self-possessed nature, had overcome the gay indifference which showed no signs of hurt?
Source: Gutenberg

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