H. De Vere Stacpoole

H. De Vere Stacpoole

Summary

Portrait of H. De Vere Stacpoole H. De Vere Stacpoole The Love Line (1919)

She seemed, without turning her head, to know that she was followed, for she increased her pace so that when Logan, his heart leaping in him, drew up to her, they were a mile away, beyond view of eyes from the town that lay in the burning distance—alone with the gulls, the wind and the sun.
The rumor of the waves and the perfume of the sea filled the air. To the right lay the desert with its stone outcrop and its vast spaces of sand, a few lone trees, and far away, small as flies, a line of camels passing east along the old caravan road that leads from Kassaba Zargha to Alexandria.
Source: Wikisource

Portrait of H. De Vere Stacpoole H. De Vere Stacpoole The Love Line (1919)

The far-off camels on the old caravan road seemed scarcely to have altered their position, and beyond the quicksand, now smooth and traceless, like emblems of the two women, lay the shells that had formed the lure, one purple, one pale.
I saw Giovanna only last year in Sarafax, and it is an index of the character of Sarafax that her story, even to the end of Logan, is public property and had gained for her public respect. Jane Hogg you may see any day in the Petty Cury. She is respected, also, but in a different way.
Source: Wikisource

Portrait of H. De Vere Stacpoole H. De Vere Stacpoole The Love Line (1919)

She noticed them. Any of these might be the grave of her lover. Even in daylight they might have taken him, let alone vague moonlight, for they were all but indistinguishable to any but her eyes and the eyes of the Arabs and the few fishermen who used the place, nothing but a slight change of color marking the spots where underground springs made the sand treacherous as liquid mud.
Mason did not return that night and next morning Giovanna again sought the sands, the sea wind blowing her black hair and pleating her crimson robe.
Source: Wikisource

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