Summary

Portrait of H. G. Wells H. G. Wells,  When the Sleeper Wakes

“ In spite of the opening and closing of doors, the hasty messengers, the ringing of bells and the perpetual clitter-clack of recording implements, Graham felt isolated, strangely inactive, inoperative.
Their isolation seemed at times the strangest, the most unexpected of all the things that had happened since his awakening. It had something of the quality of that inactivity that comes in dreams. A tumult, the stupendous realisation of a world struggle between Ostrog and himself, and then this confined quiet little room with its mouthpieces and bells and broken mirror!
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Source: Gutenberg

Portrait of H. G. Wells H. G. Wells,  When the Sleeper Wakes

“ The women, in comparison with those Graham remembered, were as a class distinctly plain and flat-chested. Two hundred years of emancipation from the moral restraints of Puritanical religion, two hundred years of city life, had done their work in eliminating the strain of feminine beauty and vigour from the blue canvas myriads. To be brilliant physically or mentally, to be in any way attractive or exceptional, had been and was still a certain way of emancipation to the drudge, a line of escape to the Pleasure City and its splendours and delights, and at last to the Euthanasy and peace. ”
Source: Gutenberg

Portrait of H. G. Wells H. G. Wells,  When the Sleeper Wakes

“ The scene upon which Graham looked was very wild and strange. The snow had now almost ceased; only a belated flake passed now and again across the picture. But the broad stretch of level before them was a ghastly white, broken only by gigantic masses and moving shapes and lengthy strips of impenetrable darkness, vast ungainly Titans of shadow. All about them, huge metallic structures, iron girders, inhumanly vast as it seemed to him, interlaced, and the edges of wind-wheels, scarcely moving in the lull, passed in great shining curves steeper and steeper up into a luminous haze. ”
Source: Gutenberg

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