Summary

Portrait of H. Rider Haggard H. Rider Haggard,  She — Chapter XIX: "Give Me a Black Goat… (1887)

“ I stared and stared again—he was perfectly right—the torches that were to light our entertainment were human mummies from the caves!
On rushed the bearers of the flaming corpses, and, meeting at a spot about twenty paces in front of us, built their ghastly burdens crossways into a huge bonfire. Heavens! how they roared and flared! No tar barrel could have burnt as those mummies did. Nor was this all. Suddenly I saw one great fellow seize a flaming human arm that had fallen from its parent frame, and rush off into the darkness.
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Source: Wikisource

Portrait of H. Rider Haggard H. Rider Haggard,  She — Chapter XIX: "Give Me a Black Goat… (1887)

“ Leo was of course intensely interested in this stupendous and unequalled sight, which was, indeed, enough to awake all the imagination a man had in him into the most active life. But to poor Job it did not prove attractive. His nerves—already seriously shaken by what he had undergone since we had arrived in this terrible country —were, as may be imagined, still further disturbed by the spectacle of these masses of departed humanity, whereof the forms still remained perfect before his eyes, though their voices were for ever lost in the eternal silence of the tomb. ”
Source: Wikisource

Portrait of H. Rider Haggard H. Rider Haggard,  She — Chapter XIX: "Give Me a Black Goat… (1887)

“ Therefore, live for the day, and endeavour not to escape the dust which seems to be man's end. What thinkest thou those long-forgotten nobles and ladies would have felt had they known that they should one day flare to light the dance or boil the pot of savages? But see, here come the dancers; a merry crew—are they not? The stage is lit—now for the play."
As she spoke, we perceived two lines of figures, one male and the other female, to the number of about a hundred, each advancing round the human bonfire, arrayed only in the usual leopard and buck skins.
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Source: Wikisource

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