Helen Hunt Jackson

Helen Hunt Jackson

Summary

Portrait of Helen Hunt Jackson Helen Hunt Jackson Glimpses of Three Coasts

But so it was hour by hour, all of our way up the Hardanger Fjord, till we came, in the early twilight at half-past ten o'clock, to Eide, our journey's end. The sun had set—if in a Norway summer it can ever be truly said to set—two hours before, and in its slow sinking had turned the mountains, first pink, then red, then to an opaline tint, blending both pink and red with silver gray and white; all shifting and changing so fast that the mountains themselves seemed to be quivering beneath. Then, of a sudden, they lost color and turned gray and dark blue.
Source: Gutenberg

Portrait of Helen Hunt Jackson Helen Hunt Jackson Glimpses of Three Coasts

When the real sunset came we were threading the rocky labyrinths of the Bergen Fjord. It is a field of bowlders, with an ocean let in; nothing more. Why the bowlders are not submerged, since the water is deep enough for big ships to sail on, is the perpetual marvel; but they are not. They are as firm in their places as continents, myriads of them only a few feet out of water; and when the sun as it sinks sends a flood of gold and red light athwart them, they turn all colors, and glow on the water like great smoke crystals with fire shining through.
Source: Gutenberg

Portrait of Helen Hunt Jackson Helen Hunt Jackson Glimpses of Three Coasts

Stavanger is one of the most ancient towns in Norway. It looks as if it were one of the most ancient in the world; its very brightness, with its faded red houses, open windows, and rugged pavements, being like the color and smile one sees sometimes on a cheerful, wrinkled, old face. The houses are packed close together, going up-hill as hard as they can; roofs red tiled; gable ends red tiled also, which gives a droll eyebrow effect to the ends of the houses, and helps wonderfully to show off pretty faces just beneath them, looking out of windows.
Source: Gutenberg

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