Henry Beston

Summary

Henry Beston The outermost house (1928)

Returning to the Cape at night from a trip to town, I heard the roar of the ocean in Orleans, and on arriving at Nauset, found the beach flooded to the dunes, and covered with a churn of surf and moonlight. Dragging a heavy suitcase and clad in my go-to-town clothes, I had an evil time getting to the Fo’castle over the dune tops and along the flooded marsh.
Many forces mingle in the surf of a storm—the great earth rhythm of the waves, the violence of wind, the struggle of water to obey its own elemental law.
Source: Gutenberg

Henry Beston The outermost house (1928)

The beach at night has a voice all its own, a sound in fullest harmony with its spirit and mood—with its little, dry noise of sand forever moving, with its solemn, overspilling, rhythmic seas, with its eternity of stars that sometimes seem to hang down like lamps from the high heavens—and that sound the piping of a bird. As I walk the beach in early summer my solitary coming disturbs it on its nest, and it flies away, troubled, invisible, piping its sweet, plaintive cry. The bird I write of is the piping plover, Charadrius melodus, sometimes called the beach plover or the mourning bird.
Source: Gutenberg

Henry Beston The outermost house (1928)

AUTUMN, OCEAN, AND BIRDS I
There is a new sound on the beach, and a greater sound. Slowly, and day by day, the surf grows heavier, and down the long miles of the beach, at the lonely stations, men hear the coming winter in the roar. Mornings and evenings grow cold, the northwest wind grows cold; the last crescent of the month’s moon, discovered by chance in a pale morning sky, stands north of the sun. Autumn ripens faster on the beach than on the marshes and the dunes. Westward and landward there is colour; seaward, bright space and austerity.
Source: Gutenberg

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