Henry C. Rowland

Henry C. Rowland

Summary

Portrait of Henry C. Rowland Henry C. Rowland Auld Jeremiah — Chapter IX (1913)

He was a much faster worker than the girl, though lacking in her truer sense of color and draftsmanship, and it was always Ailsa who pulled the picture together in the end, giving it the magic touch of life and motion that raised their joint production so far above others of the same character, and made of what might otherwise have been a blot upon the fair face of nature something that pleasantly attracted and held the eye of the casual observer.
Source: Wikisource

Portrait of Henry C. Rowland Henry C. Rowland Auld Jeremiah — Chapter IX (1913)

There are also some dark, suspicious shadows in my soul,” said Joshua. “I am sad at the thought of going back to the hot and evil city.”
“You cannot be expecting to live always in Arcady.”
“That is why I make noises like a grampus coming up to blow. The waffles are the least of my troubles.”
And what is the greatest?” she asked, then turned to throw a stone for Mac.
“The future,” he answered; “or rather, the lack of it. There really isn't much ahead for a sign painter. At least, there isn't for this one. Now, with you it is different.
Source: Wikisource

Portrait of Henry C. Rowland Henry C. Rowland Auld Jeremiah — Chapter IX (1913)

Do you know”—she regarded him speculatively through half-closed eyes—"sometimes I find myself wondering who and what you really are. It's plain enough that you are a gentleman born.”
There came a sudden yelp from Mac. Nosing a large crab with quick backward snatches of his head, the dog had grown a little overconfident, with the result that one of the strong pincers had fastened suddenly upon his lip.
“Ki-yi-yi!” shrieked Mac; and Ailsa scrambled to her feet. But Joshua—and one can scarcely blame him—had snatched up a pebble and shied it at the source of interruption.
Source: Wikisource

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