Henry C. Rowland

Henry C. Rowland

Summary

Portrait of Henry C. Rowland Henry C. Rowland The Popular Magazine, Volume 51… (1919)

Timothy's dreamy eyes were resting on the door whence the butler had vanished as though his gaze having been passively led there was too inert to shift itself, while Lucien after a swift glance about the veranda, which was partly glassed-in, was looking at a blond young man with grimy hands and a chauffeur's cap who was going down the steps to the landing with a stillson wrench and a coil of copper tubing.
No, the slumbrous-eyed Southern hound and his silky, gifted pup had not the slightest desire to be told what work their host had to get through before the season's close. They knew.
Source: Wikisource

Portrait of Henry C. Rowland Henry C. Rowland The Popular Magazine, Volume 51… (1919)

How do you know that Jim has not done the same? I'm only fo'ty, physically sound, of independent fo'tune and a native-bawn American, a widower with an only child whose future is amply provided for. Do you consider me a slacker?”
“Of course not. Your work is to suppress crime here while our soldiers and sailors suppress it over there. We can't leave our country at the mercy of lawbreakers.”
“But you happen to know what my work is.” Timothy's tone fairly reeked with a suggestion, but it was lost on this arbitrary beauty.
Source: Wikisource

Portrait of Henry C. Rowland Henry C. Rowland The Popular Magazine, Volume 51… (1919)

Jim smiled. “Granted,” said he, “but that's not the point. Why any work at all? What's the good of the letter but to Katherine or me—and that's purely negative?”
Lucien opened the door, glanced out, then shut it softly.
“For a model,” he answered. “You make me tired, Jim. Do you hope to get a commission in the navy with an ivory nut like that?”
Jim stared, then burst into a cackle: “Oh, so you've guessed, have you? Well, I reckon dad is right about his olive branch. Go on, my seraphic Machiavelli. Why a model, even if it is a pretty and winsome fist?”
Source: Wikisource

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