Henry Lawson

Henry Lawson

Summary

Portrait of Henry Lawson Henry Lawson On the Track

Call him 'Boss'. Say 'Good-day, Boss,' when you go in, and swing down your swag as if you're used to it. Ease it down like this. Then straighten yourself up, stick your hat back, and wipe your forehead, and try to look as hearty and independent and cheerful as you possibly can. Curse the Government, and say the country's done. It don't matter what Government it is, for he's always against it. I never knew a real Australian that wasn't. Say that you're thinking about trying to get over to Australia, and then listen to him talking about it—and try to look interested, too!
Source: Gutenberg

Portrait of Henry Lawson Henry Lawson On the Track

Two oblong huts—one for the shearers and one for the rouseabouts—in about the centre of the clearing (as if even the mongrel scrub had shrunk away from them) built end-to-end, of weatherboards, and roofed with galvanised iron. Little ventilation; no verandah; no attempt to create, artificially, a breath of air through the buildings. Unpainted, sordid—hideous. Outside, heaps of ashes still hot and smoking. Close at hand, “butcher's shop”—a bush and bag breakwind in the dust, under a couple of sheets of iron, with offal, grease and clotted blood blackening the surface of the ground about it.
Source: Gutenberg

Portrait of Henry Lawson Henry Lawson On the Track

Well, while doing the block you run against an old mate of other days—VERY other days—call him Jack Ellis. Things have gone hard with Jack. He knows you at once, but makes no advance towards a greeting; he acts as though he thinks you might cut him—which, of course, if you are a true mate, you have not the slightest intention of doing. His coat is yellow and frayed, his hat is battered and green, his trousers “gone” in various places, his linen very cloudy, and his boots burst and innocent of polish.
Source: Gutenberg

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