Henry Lawson

Henry Lawson

Summary

Portrait of Henry Lawson Henry Lawson Over the Sliprails

I didn't know how I felt—I—well, I felt as if I was as good a man as Jack Drew—I—you see I've—you might think it soft—but I loved that girl, not as I've been gone on other girls, but in the old-fashioned, soft, honest, hopeless, far-away sort of way; and now, to tell the straight truth, I thought I might have had her. You lose a thing through being too straight or sentimental, or not having enough cheek; and another man comes along with more brass in his blood and less sentimental rot and takes it up—and the world respects him; and you feel in your heart that you're a weaker man than he is.
Source: Gutenberg

Portrait of Henry Lawson Henry Lawson Over the Sliprails (1900)

These are the sort of long, cruel moments when a man sits or stands very tight and quiet and calm-looking, with his whole past life going whirling through his brain, year after year, and over and over again. Just as the digger seemed about to speak to them he met the brimming eyes of his little girl turned up to his face. He looked at her for a moment, and then turned suddenly and went below as if pretending to go down for his things. I noticed that Mitchell—who hadn’t seemed to be noticing anything in particular—followed him down.
Source: Wikisource

Portrait of Henry Lawson Henry Lawson Over the Sliprails (1900)

I’d been puzzling for the last half-hour to think where I’d met or heard of Jack Drew; now it flashed on me that I’d been told that Jack Drew was the Lachlan’s real name.
I lay awake thinking a long time, and wished Mitchell had kept his yarn for daytime. I felt—well, I felt as if the Lachlan’s story should have been played in the biggest theatre in the world, by the greatest actors, with music for the intervals and situations—deep, strong music, such as thrills and lifts a man from his boot soles.
Source: Wikisource

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