Henry Lawson

Henry Lawson

Summary

Portrait of Henry Lawson Henry Lawson Children of the Bush

I was young yet, but felt old at times, and there were times, in the hot, rough, greasy shearing-shed on blazing days, or in the bare “men’s hut” by the flicker of the stinking slush-lamp at night, or the wretched wayside shanty with its drink-madness and blasphemy, or tramping along the dusty, endless track—there were times when I wished I could fall back with all the experience I’d got, and sit once more in the little slab-and-bark “chapel” on Ross’s Creek and hear Peter M’Laughlan and the poor, struggling selectors sing “Shall We Gather at the River?” and then go out and start life afresh.
Source: Gutenberg

Portrait of Henry Lawson Henry Lawson Children of the Bush

The Australian swag was born of Australia and no other land—of the Great Lone Land of magnificent distances and bright heat; the land of self-reliance, and never-give-in, and help-your-mate. The grave of many of the world’s tragedies and comedies—royal and otherwise. The land where a man out of employment might shoulder his swag in Adelaide and take the track, and years later walk into a hut on the Gulf, or never be heard of any more, or a body be found in the bush and buried by the mounted police, or never found and never buried—what does it matter?
Source: Gutenberg

Portrait of Henry Lawson Henry Lawson Children of the Bush

We are professional shearers; and the Australian shearers are about the most independent and intelligent class of men in the world. We’ve got more genius in one of our little fingers than there is in the whole of that wagonette-load of diddle-daddle and fiddle-faddle and giggles. Their intellects are on a level with the rotten dramas they travel with, and their lives about as false. They are slaves to the public, and their home is the pub-parlour, with sickly, senseless Johnnies to shout suppers and drink for them and lend their men money.
Source: Gutenberg

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