Harmonium

Definition and stakes

Kathleen Schlesinger,  1911 Encyclopædia Britannica (1911)

“ The right hand plays the melody on the keyboard, while the left works the bellows and manipulates the two or three bass harmony keys, which sound the simple chords of the tonic and dominant. The archetype of the accordion is the cheng (q.v.) , or Chinese organ, between which and the harmonium it forms a connecting link structurally, although not invented for some thirty years after the harmonium. The timbre of the accordion is coarse and devoid of beauty, but in the hands of a skilful performer the best instruments are not entirely without artistic merit. ”
Source: Wikisource

Kathleen Schlesinger,  1911 Encyclopædia Britannica, Volume 11… (1911)

“ FREE REED VIBRATOR (Fr. anche libre, Ger. durchschlagende Zunge, Ital. ancia or lingua libera) , in musical instruments, a thin metal tongue fixed at one end and vibrating freely either in surrounding space, as in the accordion and concertina, or enclosed in a pipe or channel, as in certain reed stops of the organ or in the harmonium. The enclosed reed, in its typical and theoretical form, is fixed over an aperture of the same shape but just large enough to allow it to swing freely backwards and forwards, alternately opening and closing the aperture, when driven by a current of compressed air. ”
Source: Wikisource

H. Ernest Hunt,  Spirit and Music

“ We live in a three dimensional world, and in its length, breadth, and solidity do we disport ourselves. Music also has its three-fold manner of expression, its rhythm, its melody, and now its harmony. The rhythm is for balance, the melody for the outline, while the harmony constitutes the texture. Here again in other directions we may trace the same essentials: there is a texture of colouring, a style in Literature, and an appropriate technique for harmony in every branch of Art, just as there is an harmonic scheme in Music. ”
Source: Gutenberg

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