Consonance

Definition and stakes

Raymond MacDonald Alden,  English Verse: Specimens Illustrating its Principles and History

“ The more material part is left out, for only what is spiritual can be borne by this thin element." In real, that is, spontaneous minstrelsy, the fittest assonance, consonance, time, even rime, ... come of themselves with the imaginative thought.... Such is the test of genuineness, the underlying principle being that the masterful words of all poetic tongues are for the most part in both their open and consonantal sounds related to their meanings, so that with the inarticulate rhythm of impassioned thought we have a correspondent verbal rhythm for its vehicle. ”
Source: Gutenberg

De Witt H. Parker,  The Principles of Aesthetics

“ Every lover of poetry is aware of the large share which the mere sound of the words contributes to its beauty. This is true even when we abstract from rhythm, which we shall neglect for the time being, and think only of euphony, alliteration, assonance, and rime. There is a joy truly surprising in the mere repetition of vowels and consonants. For myself, I find a pleasure in the mere repetition of vowels and consonants all out of proportion to what, a priori, I should be led to expect from so slight a cause. ”
Source: Gutenberg

De Witt H. Parker,  The Principles of Aesthetics

“ In ordinary speech, the sound and articulation of a word, although indispensable to utterance, and therefore a necessary part of it, are of little or no value in themselves; for our interest is centered upon the meaning or upon the action which is expected to result from its understanding. We do not attend to the quality and rhythm of the word- sounds which we utter or hear, and the articulatory sensations, although felt, have only a shadowy existence in "the fringe of inattention." But in poetry, which is speech made beautiful, the mere sound of the words has value. ”
Source: Gutenberg

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