Holy Week (1891)

Summary

Holy Week (1891)

“ They succeed one another in a following cadence, growing softer and softer and almost dying away, till the entire chorus swells in a mildened but majestic burst. As the catastrophe approaches the strong voice in which the historical recitation is delivered softens gradually, being reduced almost to a whisper as the last words upon the Cross are related, and die away as the last breath of of our Saviour's life is yielded up. All fall upon their knees, and a deep silence of some moments is observed and necessarily felt. ”
Source: Wikisource

Holy Week (1891)

“ At first, the voices enter in full but peculiar harmony, softly swelling in emphasis on each word, till the middle of the verse, when a gradual separation of each part takes place, preparing for the first close; you hear them, as though weaving among themselves a rich texture of harmonious combination; one seems struggling against the general resolve, and refusing more than a momentary contact with one another, but edging off upon delicious dissonances, till the whole, with a waving successive modulation, meet in full harmony upon a suspended cadence. ”
Source: Wikisource

Holy Week (1891)

“ Here you trace one winding and creeping, by soft and subdued steps, through the labyrinth of sweet sounds; then another drops, with delicious trickling falls, from the highest compass to the level of the rest; then one seems at length to extricate itself; then another, in imitative successive cadences; they seem as silver threads that gradually unravel themselves, and then wind round the fine deep-toned bass which has scarcely swerved from its steady dignity during all their modulations, and filling up the magnificent diapason, burst into a swelling final cadence, which has no name upon earth. ”
Source: Wikisource

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