Alfred James Hipkins and Kathleen Schlesinger, 1911 Encyclopædia Britannica (1911)
“ The arrangement of reed compartments in American organs does not essentially differ from that of harmoniums; but there are often two keyboards, and then the solo and combination stops are found on the upper manual. The diapason treble register is known as “melodia”; different makers occasionally vary the use of fancy names for other stops. The “sub-bass,” however, an octave of 16 ft. pitch and always apart from the other reeds, is used with great advantage for pedal effects on the manual, the compass of American organs being usually down to F (FF, 5 octaves) . ”
