Dion

Definition and stakes

Various,  Harper's Round Table, May 12, 1896

“ On the white drawn face appears that same intense look of deadly earnestness that made the fiercest boxer fear to stand before Glaucus in the old days. Fatigue, pain, danger, death itself count for naught; the race! the race! and his city's honor! are all that Dion knows. They touch the white stone, and turn back for the last course almost in line.
Back and forth among the hills roll the waves of sound, "Athens!" "Athens!" "Philoctetes for Sparta!" But high over all echoes the cry of, "Croton! Croton! Speed thee, O Croton!" Unhearingly Dion runs.
”
Source: Gutenberg

Various,  Harper's Round Table, May 12, 1896

“ Through the dimness that is slowly clouding Dion's senses the voice pierces. Almost in the last stride of the race the boy, with arms extended, throws himself forward like a diver, and the hands, outstretched, are on the goal-stone a fraction of a second before the feet of the others. And with the feeling of the smooth coolness of the marble at his finger-tips comes a great darkness, and Dion knows nothing more until he finds himself standing in the temple of Zeus on the chryselephantine table that Zeuxis made—the most beautiful in the world. Around him are the strong arms of his father. ”
Source: Gutenberg

Samuel Dill,  Roman Society from Nero to Marcus Aurelius

“ Dion never quite shook off the traditions and tone of the rhetorical school. The ambition to say things in the most elegant and attractive style, the love of amplifying, in leisurely and elaborate development, a commonplace and hackneyed theme still clings to him. His eighty orations are many of them rather essays than popular harangues. They range over all sorts of subjects, literary, mythological, and artistic, political and social, as well as purely ethical or religious. But, after all, Dion is unmistakably the preacher of a great moral revival and reform. ”
Source: Gutenberg

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