“ When it goes out in search of food, it soars into the air, and floats in circles over the water, watching every inch of it as narrowly as a kestrel watches a stubble-field. No sooner does a fish rise toward the surface to take a fly, or to leap into the air for sport, than the Osprey darts downwards, grasps the fish in its talons, drags the struggling prey from the water, and with a scream of joy and triumph bears it away to shore, where it can be devoured at leisure.The bird never dives, neither does it seize the fish with its beak like the kingfisher. ”
J. G. Wood
Biographical details
J. G. Wood (1812–1889) was a British naturalist and author renowned for his meticulous observations of the natural world, blending scientific inquiry with vivid storytelling. His works, including Story of the Bible Animals, The Common Objects of the Country, and Common Objects of the Microscope, explore themes of ecological interdependence, human interaction with nature, and the intricate behaviors of animals and plants.
Through detailed descriptions of creatures like the osprey and crocodile, as well as ethnographic accounts of "uncivilized races," Wood bridged empirical study with engaging narrative, leaving a legacy that resonates with later naturalists such as Jean-Henri Fabre and Edmund Selous. His texts remain a testament to a 19th-century curiosity that sought to unravel nature’s complexities through both lens and pen.
Quotes by J. G. Wood
J. G. Wood, The uncivilized races of men in all countries of the world… (1875)
“ Thus bred entirely in the open air, the only shelter being the tattered sackcloth of the tent, the true Bedouin can endure no other life. He is as miserable within the walls of a town as a wolf in a trap. His eyes, accustomed to range over the vast expanse of desert, are affronted by the walls over which he cannot see. The streets oppress him, and within the atmosphere of a room he can scarcely breathe. Both he and his camel are equally out of their element when among civilized people, and they are ever looking forward to the happy moment when they may again breathe the free air of the desert. ”
“ It begins in the dusk of evening, the long, jarring note being rolled out almost interminably, until the hearer wonders how the bird can have breath enough for such a prolonged sound. The hearer may hold his breath as long as he can, take a full inspiration, hold his breath afresh, and repeat this process over and over again, and yet the Nightjar continues to trill out its rapid notes without a moment's cessation for breath, the sound now rising shrill and clear, and now sinking as if the bird were far off, but never ceasing for an instant. ”
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