Louise Imogen Guiney

Louise Imogen Guiney

Summary

Portrait of Louise Imogen Guiney Louise Imogen Guiney Goose-Quill Papers

How singularly fresh and sweet is Mozart's music!—like the cadence of waters over a rocky bed, or the bird-chorus of a May morning. His melodies and those of Nature have always some subtle association. It is as if we knew the noble mother, and walked often by her side, and some fine day we meet the intelligent and sportive child, finding in his voice, his gestures, his salutation, something foreshadowed to us in that other, and beautiful in both.
Life is a breathing-space between two eternities, a holiday with appalling realities behind and before.
Source: Gutenberg

Portrait of Louise Imogen Guiney Louise Imogen Guiney Goose-Quill Papers

When the familiar Yankee angel, Nervous Prostration, brushes you with his wing, Arcadia withers away. Your holiday siesta, after that, is not genuine. Of idleness you cannot be conscious, even as innocence is no longer itself when it knows its name. Therefore no week-day preacher need exhort you to be idle, ladies and gentlemen, as often as you can afford it. He can only cast an eye along your ranks, and discovering one or two of the elect, who shall remind him of boats swinging gently at their moorings, piously hold his tongue and go on his way with thanksgiving.
Source: Gutenberg

Portrait of Louise Imogen Guiney Louise Imogen Guiney Goose-Quill Papers

That the rich should be the groundlings, after all, is one of the diverting sarcasms and counter-turns of society. Who would not, rather, stand play-fellow to the sun, and consider the moon's light nothing less familiar than a beneficent household elf, and suffer the companionship of the rainbow and of snows? Distant and faint sounds the thunder of the streets; Teufelsdröckh, and such as he, "sit above it, alone with the stars." Nethermost darkness cannot overtake the denizen of the garret.
Source: Gutenberg

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